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Terra Relicta Top 20 Of 2018



01. Aeon Sable
- Aether
02. Amorphis
- Queen Of Time
03. Atrium Carceri
- Codex
04. Dimmu Borgir
- Eonian
05. Behemoth
- I Loved You At Your Darkest
06. The Eternal
- Waiting For The Endless Dawn
07. MGT
- Gemini Nyte
08. Primordial
- Exile Amongst The Ruins
09. Khôrada
- Salt
10. Immortal
- Northern Chaos Gods

More HERE

Random album

FILII NIGRANTIUM INFERNALIUM - Sets Release Date For New Album, Unveils First Details

Osmose Productions sets 25th May as the international release date for Filii Nigrantium Infernalium's highly anticipated third album, Hóstia. Also on that date, Osmose Productions shall release a totally re-recorded version of Filii Nigrantium Infernalium's 2005 debut album, Fellatrix, as well as a reissue of 2013's Pornokrates: Deo Gratias.
Five years after their last album, Pornokrates: Deo Gratias, Filii Nigrantium Infernalium are once again risen from the infernal depths to deliver a new offering onto the altar of sacrifice, their best and most impressive work to date: Hóstia. This elusive band which has, so far, seldom left its hellish pit, despite a lengthy history, brewed or, shall we say, baked the most blasphemous communion bread never to have been shared in the holy mass. Hóstia, like the band, is a sardonic, acid, heavy black metal offering brought from a time in which metal was black and black was metal, savage and iconoclastic. Osmose Productions retrieves from the near-forgotten past a band whose roots run deep into early times. And nearly three decades after the band's inception, Filii Nigrantium Infernalium still have much to say, as Hóstia makes plain.
This is a new definition of classic heavy and black metal, sung in one of the most widespread languages in the Catholic world, Portuguese, to poison your soul with the venomous charm of funerary carnivalesque Necrotheoholocaust! Featuring awesome and unforgettable prayer words by world-infamous necropoet N.ª S.ª Perpétua and adorned with cover artwork by outrageous classical avant-garde metalheadpainter Paolo Girardi, obliquously inspired by Rome's Vaticanal baroque century frescoes. It pays, simultaneously, homage to the great heavy metal cover art tradition. Link