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Terra Relicta Top 20 Of 2016



01. The Human Voice - Silent Heart
02. Trees Of Eternity
- Hour Of The Nightingale
03. Darkher
- Realms
04. Aeon Sable
- Hypaerion
05. The Foreshadowing
- Seven Heads Ten Horns
06. NU:N
- Naked Until Noema
07. Cryo Chamber Collaboration
- Nyarlathotep
08. In The Woods...
- Pure
09. Klimt 1918
- Sentimentale Jugend
10. Terra Tenebrosa
- The Reverses

More HERE

Random album

Opera Diabolicus - †1614 (2012) - Review

Band: Opera Diabolicus
Album title: †1614
Release date: 28 February 2012
Label: Metalville Records

Tracklisting:
01. Overture0
02. The Gates
03. Blood Countess Bathory
04. The 13th Guest
05. In Memoriam
06. Mythos Lamia
07. Forbidden
08. Stone By Stone

One composer David Grimoire and one lyricist Adrian De Crow together with some special guests like Snowy Shaw (best known for his appearances with King Diamond, Mercyful Fate, Therion, Notre Dame, Dream Evil and Dimmu Borgir among others), Mats Leven (Therion, Krux, Yngwie Malmsteen, At Vance, Fatal Force,...), Niklas Isfeldt (Dream Evil), Jake E. Berg (Amaranthe, Dream Evil, Dreamland,...) and Camilla Alisander-Ason are performing in this special metal opera. The idea of this conceptual album was born back in 2006, but because of many problems with labels etc. was released in the beginning of this year. Amazing album cover and a mysterious album title are revealing what's the main story behind the curtain. If we make some google search we get to know that †1614 is the year of death of one of the most notorious woman in the history - Elisabeth Bathory and yes, that's what it's dealt here about. O.K. not such an original idea, but it fits well to the overall ambiance of this album.

The musical side isn't something new on the planet, contrary, Opera Diabolicus are using safe elements to express their narrative vision and musical excellency. Mostly doom metal in the vein of old Candlemass or Solitude Aeturnus, combined with some symphonic touches ala Therion, then some classic metal riffage which reminds of King Diamond and Mercyful Fate, plus some thrashy, power and progressive elements, together with occasional black/death metal outbursts are in majority combined well together. Big plus goes to the vocal performances from all above mentioned guests, specially Snowy Shaw who will bring a big smile on the face to all Therion fans and Camilla Alisander-Ason with her great powerful and atmospheric performance. Vocals are often used like a dialogue between the characters of this theatrical metal opus. Take for example the magnificient symphonic "The Gates", one of the catchiests tracks up here and a fine example how to make a right effect combining diverse vocals with some choirs and massive wall of heavy sounding guitars, diabolic synths, doomy and pounderous, sometimes even thrasy drum beats, dark passages into one amazing dark atmospheric tune. Other tracks worth mentioning are of course "Blood Countess Bathory" which contains all possible musical elements, even some symphonic progressive black metal elements familiar to ones of Arcturus, Dimmu Borgir and Cradle Of Filth. "The 13th Guest" is another "must hear" track which will bring many metalheads down on their knees, personally I was amazed by the ending of this song with beautiful vocal performance by Camilla, nice melodic symphonic gothic synths and tasty lead guitar solo. "Stone By Stone" brings more doom metal at the end of this record, yet amazing, powerful and somehow mystical track shows again all the qualities of Opera Diabolicus in its ending and throughout amazing drum work provided by multi talented Shaw gives a lot of power to this track. On the other hand headbanging power metalic "Mythos Lamia" and 80's heavy metal homage track "Forbidden" are nothing that great, but I'm sure that some fans of classic heavy metal will grab those two for first, like a hot cake.

Production is done by another "hall of fame" personage Andy LaRocque (King Diamond). It's a little bit unpolished, but good, although I would prefer cleaner one, especially for the symphonic and drum section, but that's only me. All these six epic songs and two dark intros are something that every fan of dark music should at least try to listen to, because it's a big probability that this "Phantom Of The Opera"; more than 53 minutes long; metal play will become someones favourite album of the year. I'm really hoping that this album will get more recognition among metal and gothic audience, they certainly deserve this.

Review written by: T.V.
Rating: 8/10

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Album: Sideremesis EP
Release date: 19 October 2015
Label: Apathia Records

When Erdh, a French two-piece outfit, released their debut Resilient, they've been tagged as a heavier version of Depeche Mode and their sound has been compared to a variety of well-known musical acts, from Nine Inch Nails and Ulver to Type O Negative and Paradise Lost. With Sideremesis - a four track EP, which in a way serves as a bridge between Resilient and the full length in the making, - the first thing that popped inside my mind was: this is an obscure version of Hurts. The riffing, which presented itself on Resilient is gone, the pace has slowed down and the ambiances spread out through the soundscapes deeper and further. And yet again, the conclusion is the same – this is not and obscure version of Hurts. It's so much more. It's Erdh. Nicolas Pingnelain and Emmanuel Lévy, who have been a steady duet for three years now, have decided to expand their horizons and again gave us a confirmation, they know no boundaries when it comes to music. When you slide through the tunes on the EP, you get the feeling the sound created on it came so natural to them and as it was composed effortlessly. Even though it does take quite a drastic turn away from Resilient, I'm more than sure anyone who was struck by the brilliancy of it will find the comfort in Sideremesis. More to it – even if this is your first encounter with their music, you can start from here and get entranced by the wondrous world of Erdh.

Read a full review HERE