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Terra Relicta Top 20 Of 2018



01. Aeon Sable
- Aether
02. Amorphis
- Queen Of Time
03. Atrium Carceri
- Codex
04. Dimmu Borgir
- Eonian
05. Behemoth
- I Loved You At Your Darkest
06. The Eternal
- Waiting For The Endless Dawn
07. MGT
- Gemini Nyte
08. Primordial
- Exile Amongst The Ruins
09. Khôrada
- Salt
10. Immortal
- Northern Chaos Gods

More HERE

Random album

Tristania - Darkest White (2013) - Review

Band: Tristania
Album title: Darkest White
Relase date: 31 May 2013
Label: Napalm Records

Tracklisting:
01. Number
02. Darkest White
03. Himmelfall
04. Requiem
05. Diagnosis
06. Scarling
07. Night On Earth
08. Lavender
09. Cypher
10. Arteries

Tristania was once one of the leading gothic metal bands, leaving a deep seal in the history of that very genre. Their unconventional, innovative albums and especially their trademark sound, which was a mixture of gothic and death-doom metal, spiced up with the very right amount of orchestrations and amazing vocals lines, is what made the band one of the most recognizable and honourable names. It may seem over the top, but what made their sound so unblemished is how they harmonized all these elements into a perfect mixture.

A series of line-up changes over the years occurred, that inevitably reflected in their sound. The “second era of Tristania” started with Ashes in 2005 and the new sound was a lot barer, stripped down to the very basics. The orchestrations were gone, so was the “beauty and the beast” vocals interacting in a story. The dramatic and romantic lyrics, which sounded so enchanting, written in old English, were gone. The fans of the band split up, some stayed devoted to their band, with the words every musician must evolve. The others just weren’t amused anymore with the drastic change of their sound. And so, Tristania went on with their new sound and Darkest White is the obvious progeny of 2010’s Rubicon, which was the album that yet again put the band on a new challenge, as their previous opera singer Vibeke Stene was replaced by a rock singer Mariangela Demurtas on female vocals. 

Darkest White shows at the very beginning, with the opening track “Number”, that was time to get a bit bolder, more extreme and raw. What we witness is something a bit heavier than on previous three albums. A lot of emphasis is on growls. Guitars and drums sound a wee bit heavier. Mariangela’s vocals are clean and not layered. The acoustic guitars are gone, keyboards are minimized and there are only few interactions between all the three (female vocals, clean male vocals and growls) voices. Unfortunately, with all these changes, the album lacks atmosphere and harmony, which leads to the sound being inexpressive and easily forgettable. Darkest White is not extreme enough on one side, as it has no memorable guitar riffs, which would carry the song, no insane drumming that would carry the beat. On the other hand, the album is not atmospheric enough to mesmerize the listener with its story and concept, so it’s settled somewhere in the pure mediocrity. 

But not to be the darkest, there is some part of the album that is “white”, and that part is hidden under the tracks “Lavender” and “Scarling”. These are the crown jewels of Darkest White, the songs that hold strong, memorable melodies, integrity and great gothic atmosphere.  “Himmelfall” is another song standing out, delivering an epic touch.

Even when compared to the “second era of Tristania” albums, Darkest White is their least profound album. It doesn’t offer any truly exceptional, breathtaking songs and is easily forgettable. It seems as the band wanted a change in their sound and had an idea how to enrich it, but it just didn’t work out. It’s an album for the fans, but those looking for a good gothic metal album, should look elsewhere.

Review written by: Ines
Rating: 5/10

Recommended by Terra Relicta

Band: Neurotech
Album title: Stigma
Release date: 7 June 2015
Label: Self-Released

Playing softly with intertwining so many various styles, building on a solid foundation of cyber metal and enhancing with so many different layers, most notable feature of Stigma is its strong cinematic approach. The blasting drums are still present, covered with a dense layer of electronic effects and Wulf's vocoded vocals. But what really makes it so significant and pushes it further, is the grandeur approach and stupendous orchestrations, which flow more in the vein of film score music of Hans Zimmer, than symphonic metal, and are vibrating throughout the entire album. However, what spices up the deal are the numerous, eloquent insertions of so many different stylistic elements into the game. Stigma is yet another album, Wulf can only feel pride and joy of. What from a certain point of view may seem like it's only Infra Versus Ultra part 2, when realizing its potent nature, this album does open up new dimensions in the realms of Neuortech. On one side it is so staggeringly poetic, romantic and thought-provoking, on the other well as nerve striking, energetic and even demonic. If you are one of those Neurotech fans, who still craves and wishes for an Antagonist sequel, leave your hopes behind. But if you are here to follow the further evolution of its music, Stigma is simply an album you must embrace.

Read a full review HERE