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Terra Relicta Top 20 Of 2018



01. Aeon Sable
- Aether
02. Amorphis
- Queen Of Time
03. Atrium Carceri
- Codex
04. Dimmu Borgir
- Eonian
05. Behemoth
- I Loved You At Your Darkest
06. The Eternal
- Waiting For The Endless Dawn
07. MGT
- Gemini Nyte
08. Primordial
- Exile Amongst The Ruins
09. Khôrada
- Salt
10. Immortal
- Northern Chaos Gods

More HERE

Random album

Tristania - Darkest White (2013) - Review

Band: Tristania
Album title: Darkest White
Relase date: 31 May 2013
Label: Napalm Records

Tracklisting:
01. Number
02. Darkest White
03. Himmelfall
04. Requiem
05. Diagnosis
06. Scarling
07. Night On Earth
08. Lavender
09. Cypher
10. Arteries

Tristania was once one of the leading gothic metal bands, leaving a deep seal in the history of that very genre. Their unconventional, innovative albums and especially their trademark sound, which was a mixture of gothic and death-doom metal, spiced up with the very right amount of orchestrations and amazing vocals lines, is what made the band one of the most recognizable and honourable names. It may seem over the top, but what made their sound so unblemished is how they harmonized all these elements into a perfect mixture.

A series of line-up changes over the years occurred, that inevitably reflected in their sound. The “second era of Tristania” started with Ashes in 2005 and the new sound was a lot barer, stripped down to the very basics. The orchestrations were gone, so was the “beauty and the beast” vocals interacting in a story. The dramatic and romantic lyrics, which sounded so enchanting, written in old English, were gone. The fans of the band split up, some stayed devoted to their band, with the words every musician must evolve. The others just weren’t amused anymore with the drastic change of their sound. And so, Tristania went on with their new sound and Darkest White is the obvious progeny of 2010’s Rubicon, which was the album that yet again put the band on a new challenge, as their previous opera singer Vibeke Stene was replaced by a rock singer Mariangela Demurtas on female vocals. 

Darkest White shows at the very beginning, with the opening track “Number”, that was time to get a bit bolder, more extreme and raw. What we witness is something a bit heavier than on previous three albums. A lot of emphasis is on growls. Guitars and drums sound a wee bit heavier. Mariangela’s vocals are clean and not layered. The acoustic guitars are gone, keyboards are minimized and there are only few interactions between all the three (female vocals, clean male vocals and growls) voices. Unfortunately, with all these changes, the album lacks atmosphere and harmony, which leads to the sound being inexpressive and easily forgettable. Darkest White is not extreme enough on one side, as it has no memorable guitar riffs, which would carry the song, no insane drumming that would carry the beat. On the other hand, the album is not atmospheric enough to mesmerize the listener with its story and concept, so it’s settled somewhere in the pure mediocrity. 

But not to be the darkest, there is some part of the album that is “white”, and that part is hidden under the tracks “Lavender” and “Scarling”. These are the crown jewels of Darkest White, the songs that hold strong, memorable melodies, integrity and great gothic atmosphere.  “Himmelfall” is another song standing out, delivering an epic touch.

Even when compared to the “second era of Tristania” albums, Darkest White is their least profound album. It doesn’t offer any truly exceptional, breathtaking songs and is easily forgettable. It seems as the band wanted a change in their sound and had an idea how to enrich it, but it just didn’t work out. It’s an album for the fans, but those looking for a good gothic metal album, should look elsewhere.

Review written by: Ines
Rating: 5/10

Recommended by Terra Relicta

Band: Antimatter
Album title: The Judas Table
Release date: 9 October 2015
Label: Prophecy Productions

Since the departure of one of the Antimatter's founders, Duncan Patterson, (former bassist/songwriter of Anathema), the remaining member Mick Moss brought Antimatter to the state of being one of the essential bands when it comes to melancholic and atmospheric rock. After two stunning albums, the groundbreaking Leaving Eden (2007) and Fear Of A Unique Identity (2012), both albums set new standards for the dark atmospheric alternative rock music, now Mick's Antimatter is back with a new very introspective album, The Judas Table. Following the steps of before mentioned two albums, the new opus is another proof how to blend together melancholic art rock, goth, atmospheric rock and highly emotional acoustic pieces. The Judas Table is a conceptual album in which Mick Moss sings about his personal experiences, about betrayal, disappointment, self-doubt, and anybody who ever suffered from betrayal on a personal level will without doubt relate to this album, but not only... Mick Moss' battle with his inner demons might seem to be now in an equilibrium, but we who love the music this man does will hope that this battle in his thoughts might never end and Antimatter will still be exploring this intimate and sad side of personal struggle to survive amongst all of evil selfish souls who were born just to cause harm and desperation. All in all, Antimatter created another gem full of amazing soul and mind shaking atmospheric songs!

Read a full review HERE