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Terra Relicta Top 20 Of 2017



01. Ulver -
The Assassination Of Julius Caesar
02. Au Champ Des Morts -
Dans La Joie
03. Isenordal -
Shores Of Mourning
04. Heretoir -
The Circle
05. Peter Bjärgö -
Animus Retinentia
06. Au-Dessus -
End Of Chapter
07. Northumbria -
Markland
08. Shibalba -
Psychostasis-Death Of Khat
09. Cult Of Erinyes -
Tiberivs
10. Saille -
Gnosis

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Random album

Aenaon - Extance (2014) - Review

Band: Aenaon
Album title: Extance
Release date: 20 January 2014
Label: Code666/Aural Music

Tracklisting:
01. The First Art
02. Deathtrip Chronicle
03. Grau Diva
04. A Treatise On The Madness Of God
05. Der Mude Tod
06. Pornocrates
07. Closer To Scaffold
08. Land Of No Water
09. Algernon's Decadence
10. Funeral Blues
11. Palindrome

It has never been an easy job to put a label onto one’s music, especially if the music has somehow drifted into the experimental paths of a certain genre. But with certainty I can claim Aenaon’s Extance is avant-garde at its finest. Their unique fusion of black metal with classical jazz and bluesy touch is simply remarkable. Inside this genre, that allows so much, but needs precision and focus, Extance is everything you could wish for.

The Greek ensemble’s second album opens up very promising with an instrumental "The First Art", which starts as an obscure, classically-driven piano melody, which later on becomes accompanied by other instruments and bursts into a mesmerizing melody. Aenaon is using two guitars, which is really precious for the band’s sound, as the two guitars are so perfectly entwined - one carrying out the rhythm and the other drifting further into insane solos. Sounds pretty classic black metal? Well, from time to time it is, like for example on "Grau Diva" with its mid-tempo rhythm reminding of Satyricon at the beginning of the song, but evolving so profoundly into deranged melody, created by a haunting and psychedelic keyboard tune. Same goes for "Der Mude Top", which immediately explodes with fast drumming and guitars, but halfway through the song it changes its course, adds a bit of that intense saxophone and takes the song to a whole another level. And the beauty of it lies, how incredibly smooth, precise and focused these passages are.

But Extance gives you so much more. The almost 13 minutes in length, "Palindrome" is an example of progressive extreme metal at its top. Creating such vivid images of derangement, it reminds a bit of Vulture Industries and their approach to avant-garde. But Aenaon stay much more true to the black metal in its core. With the addition of jazz elements, blues guitar melodies, a piano or keyboard tune now and then and the combination between harsh and clean vocals, one could not wish for a better balance between all these elements. "Funeral Blues" is also a song that needs mentioning. Its saxophone solo gives an impression you are in a movie scene: in a bar, full of smoke, beautiful women, elegant men, whiskeys on tables and a jazz band playing a slow, dreary song on stage. And for a bit more variety, a short piano instrumental "Algernon’s Decadence" is there to lift you into the gloomy ambient just a bit more.

When sinking into the waters of experimental metal, a lot is expected, with two main characteristic: the music must be diverse and the single elements must be combined into perfection. And that is just what Extance is about. But it is also so much more. It tells a story, it takes a listener on an odyssey through undiscovered and dark emotions and moments of insanity. Aenaon’s debut Cendres Et Sag, is probably bursting with pride, for having such a strong, melodic and spectacular successor. Pushing the sound to its limits and veiling black metal in such highly enjoyable classic colours is more than worth checking out.

Review written by: Ines
Rating: 9/10

 

Recommended by Terra Relicta

Band: The Vision Bleak
Album title: The Unknown
Release date: 3 June 2016
Label: Prophecy Productions

The Unknown is a very adventurous album, it's musically so very strong and boisterously creative as it can get, but it's still so very dark, maybe the gloomiest album they ever did. Not only from the musical side, also lyrical wise this album marks something new, there's no more talk about different horror classics and fictional legends, The Unknown is more metaphoric and speaks on a personal level while facing the personal demons and fears, it's much closer to musicians personal lives, and so everything reflects in music which became a bit more emotional and lively. The Unknown is a dark metal album that rejects any kind of direct labeling as it is so very diverse, versatile, uniting furious extreme elements on the very edge of death or even black metal with glorious elegance of gothic metal, but there are signs also of doom, medieval, neoclassical, theatrical and horror music. Everything is well packed into one compact dense mass of sound that hits the listener with powerful vibrations.

Read a full review HERE