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Terra Relicta Top 20 Of 2018



01. Dimmu Borgir -
Eonian
02. Amorphis -
Queen Of Time
03. Summoning -
With Doom We Come
04. MGT -
Gemini Nyte
05. Soul Dissolution -
Stardust
06. Crone -
Godspeed
07. Midas Fall -
Evaporate
08. Collapse Of Light -
Each Failing Step
09. Mournful Congregation -
The Incubus Of Karma
10. Auri -
Auri

More HERE

Random album

Beastmilk - Climax (2013) - Review

Band: Beastmilk
Album title: Climax
Release date: 29 November 2013
Label: Svart Records

Tracklisting:
01. Death Reflects Us
02. The Wind Blows Through Their Skulls
03. Genocidal Crush
04. You Are Now Under Our Control
05. Ghosts Out Of Focus
06. Nuclear Winter
07. Fear Your Mind
08. Love In A Cold World
09. Surf The Apocalypse
10. Strange Attractors

Much has been written about Beastmilk's debut album Climax, though it's available since barely a month. Such is the magnitude of this rising phenomenon, springed from Helsinki over three years ago. Their previous singles, "White Stains On Black Tape" and "Use Your Deluge", already caught the attention from all around the underground scene. Beastmilk's signature crossover of early post-punk, deathrock and goth on one hand, and psychedelic rock, post rock and, pretty much diluted, black metal influences on the other - since the lead singer Mat 'Kvohst' McNerney was involved in Dødheimsgard and Code - fits as a meeting point among all these styles and, thereby, it has impressed a broad and eclectic audience.

Echo And The Bunnymen, Danzig, Killing Joke, Crisis, The Cure, Joy Division... the list of spectres lurking mind while listening to Climax will be endless. While it's true that they dissolve away in seconds, absorbed by the Finns' own personality. Certainly, Beastmilk manages to push the gloom boundaries, dropping the songs' mercury below zero and recapturing the retro melodic splendour. Relatively speaking, they do this in a similar way to modern acts like Soror Dolorosa - despite the obvious disparities between them. Track titles like "The Wind Blows Through Their Skulls" or "You Are Now Under Our Control" are great examples of this ardient, yet icy, rock form. Percussion is tribal and propels the songs in a pounding duo with the assertive bass. Guitar figures slip through fissures in the rhythmical wall, ranging from anxiety-inducing solos to jagged and gritty chords. There is also an exciting vox gaming which alternates between baritones and dramatic moans, even on the same track. Both tunes, along with the closer "Strange Attractors" - featuring Occultation's female singer Viveca on vocals, make up the album's dreamy triangle. Particularly, the 'dying world' theme of the album so soaks into this song that you can feel the crooners' grief as if it was yours. There's something ominous simmering beneath the entire repertoire and great credit is due to the skilfully gritty production of Kurt Ballou, well-known in the hardcore circuits. Even though when the accelerator is depressed and the length shortened, those feelings still linger on the frigid ambiances. Just check out onslaughts of guitars, drums and bass like "Surf The Apocalypse", "Nuclear Winter" or "Fear Your Mind" and you will get what I mean. Indeed, Beastmilk doesn't go far wrong when they classify themselves as an 'apocalyptic post-punk' ensemble.

Another reason why the band's alchemy works is the chamaleonic voice of the singer. Kvhost has the ability to channel rage, despondency and paranoia without any loss of directness. He can turn from the depressive Ian Curtis-like depression to the Robert Smith's histrionics, or call to war in a Danzig-style while holding together all the sections and bringing credibility to the lyrics' imaginary. Emotional and forceful at the same time, Climax sounds as the painful war-cry of the eternally doomed would does, soaring into a radiactive sky. Beastmilk's ice will burn your bowels.

Review written by: Billyphobia (Virus G)
Rating: 9/10

Recommended by Terra Relicta

Band: Randal Collier-Ford
Album title: Remnants
Release date: 20 October 2015
Label: Cryo Chamber

Randal Collier-Ford's second album Remnants on Cryo Chamber is the most highly polished work of his to date. Over the last few years, Randal Collier-Ford has been putting out a number of albums across several labels, but Remnants is unquestionably his most dynamic release so far. With Remnants the industrial noise is toned down a bit in favor of some highly atmospheric and cinematic dark ambient. The elements wind, water, fire, can be heard throughout the album along with the more human sounds of footsteps and an impending sense of doom. Yet Remnants doesn't stray too far from Randal Collier-Ford's signature theme of magical machines in a sci-fi setting. Remnants touches on many different genres within the electronic/ambient realm, one moment the album is as brooding as a creature lurking in the shadows and the next moment it feels as if you are listening to the grand soundtrack to some yet to be written Alien movie. Soundtrack is a word I kept coming back to while reviewing this album. Remnants would be a perfect soundtrack, more importantly Remnants proves to us that Randal Collier-Ford was born to work on sci-fi/horror films! It seems as if Randal Collier-Ford is making a statement with Remnants, saying he can produce anything he puts his mind to. Randal Collier-Ford is clearly happy to leave his comfort zone. He could have written another album similar to The Architects and kept his fan-base happy. However, he decided to continue travelling further off the beaten path with this release.

Read a full review HERE

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