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Terra Relicta Top 20 Of 2018



01. Aeon Sable
- Aether
02. Amorphis
- Queen Of Time
03. Atrium Carceri
- Codex
04. Dimmu Borgir
- Eonian
05. Behemoth
- I Loved You At Your Darkest
06. The Eternal
- Waiting For The Endless Dawn
07. MGT
- Gemini Nyte
08. Primordial
- Exile Amongst The Ruins
09. Khôrada
- Salt
10. Immortal
- Northern Chaos Gods

More HERE

Random album

Agael - Trost (2014) - Review

Band: Agael
Album title: Trost
Release date: 25 February 2014
Label: Naturmacht Productions

Tracklist:
01. Sternenklang
02. Staubherrscher
03. Weltenschrei
04. Ewige Heimkehr
05. Menschensohn
06. Zeitenwind
07. Trost
08. Nichtkonstanten

Imagine the atmospheric side of Burzum, mixed with early Anathema, then add a pinch or two of Alcest from Écailles De Lune and out of this comes Agael. Trost is the second full-lenght for this German one-man band, successor to Hybris which was released five years ago. I must be honest and confess that Trost is my first encounter with Agael and I can't make any comparisons between the two albums, but as stated in press info sheet, Trost is more atmospheric and melodic. That's what you get with it, a lot of nice melodies, huge atmospheric soundscapes, but also raw black metal escapades. Trost must be also considered as lyrically conceptual album, it's one artistic long poem written by Agael himself which criticizes modern society with a special emphasis on how we as humans interact with our changing world.

There's no doubt that Agael is a very talented musician, and not only, he has proved himself as an extraordinary song composer, as most of the songs have kind of special pathos that with ease takes you out of body and mind. He has shown that he knows how to blend together melancholic melodies with harsh, almost diabolic aggression, but please, don't take me wrong, this album is not that aggressive in terms of music, instead this is hidden within the sole nature of Trost. It's easy to get lost for example within gentle ambiances of "Staubherrscher" combined with painful shrieks and rare clean vocals, not to mention how soul hurts when the sound of flute deepens the ambiance and opens even more the wound of the suffering soul of mankind, 

There are many post-rock moments, then again it's pretty close to some shoegaze, yet it's depressive and on different occasions and many times when everything slows down, guitars for example reminds a lot to those on Serenades, debut of Anathema. But afterall Trost's music remains black metal in its core, many would call it blackgaze or something like that, but I think that's just partially right. Sometimes like from nowhere a gentle piano in the distance caresses the agitated malevolent spirit, yet Agael knows how to keep the suspense with some dark ambient inputs and other experimentations, just listen to "Menschensohn" and how interesting is the female speech in it, or how depressive is the background scenery in "Zeitenwind". Then again how unbeliveable haunting is the combination of dark ambiances and Alcest-ian guitar lines in the album title track. I don't know but something in the conclusive instrumental track "Nichtkonstanten" reminds me so much to USA based electronic/ambient act Impurfekt, of course I believe that this is just a coincidence as the two are stylistically far away from each other.

I can't forget to mention synth job which brings the necessary darkness in the picture. Then well played, but unfortunately poorly produced drums, together with German lyrics add a certain hardness to Agael's sound. There are also some flaws and one of the them is in my opinion the opener "Sternenklang" with its typical German black metal style, yet some acoustic insertions make it bereable enough. Yes, Trost is a very good effort and with just a bit better and not so dry, very unpolished production could be a masterpiece, even if, at the second thought that could eradicate that special underground essence of Agael.

Review written by: T.V.
Rating: 7,5/10

Recommended by Terra Relicta

Band: Kalt
Album title: The Invisible
Release date: 7 November 2014
Label: Self-Released

Kalt is the solo gothic rock venture of the German multi-instrumentalist and composer Mike York, who is also well known as guitar player - formerly with the legendary Garden Of Delight for eight years and currently contributing his talent to the great Sweet Ermengarde. Kalt's fourth long-playing has just gone on sale under the pertinent title of The Invisible. It's a totally self-produced and thus free-willed album which portrays the artist's inner maze on impulsive swells of hate and devotion with a strong filmic character. Mike weaves here an embrace of anguish and comfort over the listener, providing an ultimately inspirational roller coaster ride. All the titles are preceded by a definite article, as it's the musician who inwardly x-rays himself to render emotions into songs. Musicians craft their best by going on an inner pilgrimage and The Invisible is unarguable proof of it

Read a full review HERE