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Terra Relicta Top 20 Of 2018



01. Aeon Sable
- Aether
02. Amorphis
- Queen Of Time
03. Atrium Carceri
- Codex
04. Dimmu Borgir
- Eonian
05. Behemoth
- I Loved You At Your Darkest
06. The Eternal
- Waiting For The Endless Dawn
07. MGT
- Gemini Nyte
08. Primordial
- Exile Amongst The Ruins
09. Khôrada
- Salt
10. Immortal
- Northern Chaos Gods

More HERE

Random album

The Silence Industry - Brother Sing, Sister Shout (2014) - Review

Band: The Silence Industry
Album title: Brother Sing, Sister Shout
Release date: 11 January 2014
Label: Enough Records

Tracklist:
01. Brother Sing, Sister Shout (We Are All Migrants)
02. Your Skin, Celestial
03. Against The Gods
04. Behind Plastic Eyes
05. Breakin' The Law Of Value
06. We Are The Final Crisis (A Remix)
07. Beneath A Sinking Sky (Bonus - Studio Pseudolive Acoustic)

It's beggars belief that The Silence Industry is not widely-known project yet, despite it's been no less than nine years since mastermind Graham J. created it somewhere in Vancouver. Particularly, when Brother Sing, Sister Shout is the 9th release to their credit and it's available as a 'name your price' download on their Bandcamp profile. Stranger still, while the band's sound ideas are anything but common in the current dark realm and succeed to cross the affiliation divides. Although it's clear that the Canadians are true worshippers of gothic rock, they mix this style on their sonic palette with hints of progressive, noise, psychedelic and post-punk. From here spring those wintry, yet heady, soundscapes that make their hallmark, which additionally are perfect embodiment for their decadent society and existential uprooting themes. The vocals are ghostly androgyneous and achive to drive home the lyrical angst as they're trapped in a rush of chords and beats. So, The Silence Industry could be stylistically located at some point between Children on Stun and The Last Rites, even though these are but mere tags for enthusiasts. Immediately, when the first song is launched off one is caught by the sense of gothic rock well-done. Six minutes last long and thereby "Brother Sing, Sister Shout (We Are All Migrants)" displays a good number of distinctive features. Emphasized bass thrums coupled to jagged, assertive riffs, and machined drums propelling the whole thing with tribal dexterity. When the pace is changed, there are guitars churning out painfully tuneful lines and dreamy chords in symbiosis with the singing. It's a non-stop ride through shadowy lands that hits anthemic heights. Following "Your Skin, Celestial" delves deeper into melody while going down a gear on behalf of the atmosphere. Basslines slash through the distant-sounding, mournful weave of strings, and synths expand the structure living up the title's expectations. Seamless, ethereal and dynamic at the same time, this is another highlight which also speaks well of Graham's talent for long-length songwriting. And the same might be said about "Against The Gods" and "Behind Plastic Eyes", with a Nephilim-flavored driving strings sound and progressiveness, or "Breakin' The Law Of Value", running at full speed on polished tracking rails of bass guitar. The unsettling "We Are The Final Crisis (A Remix)", comprising only of drones, noises and processed winds, and "Beneath A Sinking Sky (Bonus - Studio Pseudolive Acoustic") close the album triggering an intense feeling of anxiety and despair, what seems totally apt clasp for this thrilling gothic rock soundtrack to the apocalypse.

Review written by: Billyphobia (Virus G)
Rating: 9/10

Recommended by Terra Relicta

Band: Near Earth Orbit
Album title: Trans Neptunian Objects
Release date: 9 October 2015
Label: Solar Lodge

We are back in the future, exactly in the year 2034. The second chapter of Near Earth Orbit invites us again to experience an imaginary movie created by the force of sound. Now the mother Earth is left behind, it went into ashes; do you remember the last words on End Of All Existence from the communication between the Mission Control Centre and Ashley Dayour? "OMG the apocalypse is fucking beautiful!", Ashley said in the end of the of the album which was released in May this year, and then it was only silence... Now Artaud Seth (Garden Of Delight, Merciful Nuns, Lutherion) and Ashley Dayour (Whispers In The Shadow, The Devil & The Universe, Coma Divine,...) are deep in the space. Trans Neptunian Objects reveals why the E.D.E.N. mission was discharged there and how it got there, the significance of the Einstein-Rosen Bridge and also which part a pre-human device buried deep in the desert sand has got to play in all of this. It's almost impossible to separate the first Near Earth Orbit's chapter, End Of All Existence, and the second one, Trans Neptunian Objects. Musically the new effort by Artaud and Ashley differs a bit from the previous one. While the biggest emphasis on the first chapter was on dreadful apocalyptic atmosphere, now the two based their sound a bit more on powerful, still very cinematic and atmospheric doomy gothic rock. Trans Neptunian Objects is a strong and dark album from every possible point of view, it's a solid and extraordinary release, perfectly capturing the feeling and experience of being in the vastness of space, yet it's very well produced piece of unique sonic darkness that shouldn't be missed out.

Read a full review HERE