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Terra Relicta Top 20 Of 2018



01. Aeon Sable
- Aether
02. Amorphis
- Queen Of Time
03. Atrium Carceri
- Codex
04. Dimmu Borgir
- Eonian
05. Behemoth
- I Loved You At Your Darkest
06. The Eternal
- Waiting For The Endless Dawn
07. MGT
- Gemini Nyte
08. Primordial
- Exile Amongst The Ruins
09. Khôrada
- Salt
10. Immortal
- Northern Chaos Gods

More HERE

Random album

The Spiritual Bat - Mosaic (2014) - Review

Band: The Spiritual Bat
Album title: Mosaic
Release date: 28 March 2014
Label: Danse Macabre Records

Tracklist:
01. Mosaic
02. Of Breath And Veils (Battlefield)
03. We Are Born We Live We Die
04. So Proud
05. Linfo
06. Hypnotic
07. If I Were A Flower (The Journey)
08. Blown Away
09. Death March

Without losing sight of the current goth picture, The Spiritual Bat sounds delightfully old-school mirrored and, at the same time, they manage to infuse the free-for-all lo-fi realm with a refreshing breath of air. The Italians have lived up again their deathrock lineage with the release of Mosaic - third full-length studio album to date - which additionally has been pervaded with a pinch of occult rock magic. Rossetta Garrì (vocals, lyrics, programming, additional percussions, synths) and Dario Passamonti (original music, guitars, bass, synths) have struck an excellent balance between the guitar-heavy, rumbling dancefloor aspects of the genre and its more ornate flourishes. Some special guests have took part in the recording, including Alessio Santoni (Ufip, Volume, Facus) on drums, and Tyves Oben (Place4Tears, Scarless Arms), Ashkelon Sain (Trance To The Sun, Soriah) and Greg Scott Cruz (Sullen Serenade, Inheirent) on some keyboard tracks.

The album is comprised of nightmarish, alchemic and psychedelic fragments, woven together by flawless guitar shimmers and distortions, as well as hauntingly chameleonic female vocals. So Mosaic seems totally apt title for this cohesive, yet enoughly varied, repertoire. Thus, tunes like the eponymous track or "We Are Born We Live We Die" will be your best choice if you're seeking for a distinctly goth adrenaline rush. Moody bass thrums coupled with sinous, scathing riffs, tribal drums propelling and Rossetta commanding the structures through her punkish conjurations while the keyboards spread veiled hints of Eastern. Furthermore, you can lose yourself in the enchantments of titles like "So Proud", "Of Breath And Veils (Battlefield)" or "Blown Away" which, relatively speaking, positions the duo directly one step below long-running acts such as Christian Death and Faith And The Muse. Certainly, this kind of tragically profound and charming soundscapes is affordible by only a few bands nowadays. The singer by herself just adds a disarmingly emotional complexity to the compositions. Whether she's performing like possessed by an evil spirit or wailing off in the distance, her voice is soaring, unnerving, and even seductive, with a touch of weird persuasiveness. Although the ritual should not work without Passamonti's precise counterpoints - at times choruses - on strings, inducing simultaneously to anxiety and reverie. No less impressive - albeit drowning deeper into murky waters - there are "Death March", with exciting proto-doom reminiscences on the driving riffs and drum thuds, "Hypnotic", an hallucinogenic succession of silky and spherical passages that leaves a subtle 70's aftertaste, "If I Were A Flower (The Journey)", with mournful melodies causing an occasional rapture, and "Linfo", which seems perfect sonic embodiment of a witches' coven.

Nine tracks in total, all of them providing a powerful sense of mystique and occult. Indeed Mosaic gives a clear statement of how to remap the Goth genoma without compromising its original DNA.

Review written by: Billyphobia (Virus G)
Rating: 9/10

Recommended by Terra Relicta

Band: Ugasanie
Album title: Eye Of Tunguska
Release date: 22 September 2015
Label: Cryo Chamber

Eye Of Tunguska is certainly Ugasanie’s most refined album to date. The drones, synths and field recordings of nature as well as other unearthly sounds, all flow together perfectly. Eye Of Tunguska is quite complex without ever feeling cluttered or noisy. We are told that Ugasanie was inspired to write this album by “A strange incident (which) took place in the 1990s in late autumn in the taiga. Not far from the epicenter of the Tunguska meteorite impact site. A group of students went hiking to see this legendary site. They lost their way after they decided to spend the night in one of the winter huts built by hunters of the land. Their mutilated bodies were later found near an old abandoned geological base with radiation burns.” Ugasanie paints a vivid picture here of the darkness and pure terror felt by these hikers as they experienced a potential alien or government abduction and their ensuing deaths. Ugasanie always amazes with his use of atmosphere coupled with a compelling plot. Eye Of Tunguska brings more of what we love of Ugasanie in a quite different manner than previous albums. While the sounds may be more subtle, the overarching story appears to better plotted than ever. Eye Of Tunguska is highly recommended for those who love dark ambient with sci-fi and/or polar isolation elements, not to mention a bit of horror-scape.

Read a full review HERE