This site uses cookies. By continuing to browse the site, you are agreeing to our use of cookies.

Please consider supporting this website by disabling your ad-blocker. This website does not use audio ads, pop-ups, or other annoyances. And please support Terra Relicta by giving a little donation if you can! Thank you!!!



Terra Relicta Top 20 Of 2018



01. Amorphis -
Queen Of Time
02. Dimmu Borgir -
Eonian
03. Khôrada - Salt
04. Immortal -
Northern Chaos Gods
05. MGT -
Gemini Nyte
06. Summoning -
With Doom We Come
07. Crone -
Godspeed
08. Primordial -
Exile Amongst The Ruins
09. Atrium Carceri & Herbst9 -
Ur Djupan Dal
10. Mournful Congregation -
The Incubus Of Karma

More HERE

Random album

The Spiritual Bat - Mosaic (2014) - Review

Band: The Spiritual Bat
Album title: Mosaic
Release date: 28 March 2014
Label: Danse Macabre Records

Tracklist:
01. Mosaic
02. Of Breath And Veils (Battlefield)
03. We Are Born We Live We Die
04. So Proud
05. Linfo
06. Hypnotic
07. If I Were A Flower (The Journey)
08. Blown Away
09. Death March

Without losing sight of the current goth picture, The Spiritual Bat sounds delightfully old-school mirrored and, at the same time, they manage to infuse the free-for-all lo-fi realm with a refreshing breath of air. The Italians have lived up again their deathrock lineage with the release of Mosaic - third full-length studio album to date - which additionally has been pervaded with a pinch of occult rock magic. Rossetta Garrì (vocals, lyrics, programming, additional percussions, synths) and Dario Passamonti (original music, guitars, bass, synths) have struck an excellent balance between the guitar-heavy, rumbling dancefloor aspects of the genre and its more ornate flourishes. Some special guests have took part in the recording, including Alessio Santoni (Ufip, Volume, Facus) on drums, and Tyves Oben (Place4Tears, Scarless Arms), Ashkelon Sain (Trance To The Sun, Soriah) and Greg Scott Cruz (Sullen Serenade, Inheirent) on some keyboard tracks.

The album is comprised of nightmarish, alchemic and psychedelic fragments, woven together by flawless guitar shimmers and distortions, as well as hauntingly chameleonic female vocals. So Mosaic seems totally apt title for this cohesive, yet enoughly varied, repertoire. Thus, tunes like the eponymous track or "We Are Born We Live We Die" will be your best choice if you're seeking for a distinctly goth adrenaline rush. Moody bass thrums coupled with sinous, scathing riffs, tribal drums propelling and Rossetta commanding the structures through her punkish conjurations while the keyboards spread veiled hints of Eastern. Furthermore, you can lose yourself in the enchantments of titles like "So Proud", "Of Breath And Veils (Battlefield)" or "Blown Away" which, relatively speaking, positions the duo directly one step below long-running acts such as Christian Death and Faith And The Muse. Certainly, this kind of tragically profound and charming soundscapes is affordible by only a few bands nowadays. The singer by herself just adds a disarmingly emotional complexity to the compositions. Whether she's performing like possessed by an evil spirit or wailing off in the distance, her voice is soaring, unnerving, and even seductive, with a touch of weird persuasiveness. Although the ritual should not work without Passamonti's precise counterpoints - at times choruses - on strings, inducing simultaneously to anxiety and reverie. No less impressive - albeit drowning deeper into murky waters - there are "Death March", with exciting proto-doom reminiscences on the driving riffs and drum thuds, "Hypnotic", an hallucinogenic succession of silky and spherical passages that leaves a subtle 70's aftertaste, "If I Were A Flower (The Journey)", with mournful melodies causing an occasional rapture, and "Linfo", which seems perfect sonic embodiment of a witches' coven.

Nine tracks in total, all of them providing a powerful sense of mystique and occult. Indeed Mosaic gives a clear statement of how to remap the Goth genoma without compromising its original DNA.

Review written by: Billyphobia (Virus G)
Rating: 9/10

Recommended by Terra Relicta

Band: Randal Collier-Ford
Album title: Piano Movements
Release date: 17 November 2016
Label: Kalpamantra

From the very beginning of his musical career, Randal Collier-Ford has pushed the very limits of the dark ambient genre. Coming from all directions, each of his albums seems to adhere to a totally different set of criteria. With Piano Movements, Randal Collier-Ford has completely broken the mold of his former self, reaching into realms of beautiful sounds which seem destined to find their way onto a film score in the near future. Piano Movements is absolutely beautiful in its execution. There is a sense of dreamy wonder and hope which resonates through each of these tracks. Yet, this beauty isn't necessarily pretty. The album is totally encompassed in a sense of melancholy and loneliness. As any loner knows, loneliness and melancholy can perfectly mingle with beauty. Like the crying virgin, weeping over her crucified son, there can always be beauty and wonder within the darkest of tales.

Read a full review HERE