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Terra Relicta Top 20 Of 2017



01. Lacrimosa
- Testimonium
02. Sólstafir
- Berdreyminn
03. Soror Dolorosa
- Apollo
04. Ulver
- The Assassination Of Julius Caesar
05. Myrkur
- Mareridt
06. Sun Of The Sleepless
- To The Elements
07. Moonspell
- 1755
08. Au Champ Des Morts
- Dans La Joie
09. Andras
- Reminiszenzen...
10. Svartsinn
- Mørkets Variabler

More HERE

Random album

Double Eyelid - Seven Years (2014) - Review

Band: Double Eyelid
Album title: Seven Years
Release date: 7 July 2014
Label: Self-released

Tracklist:
01. Black Box
02. Diamond Cutter
03. She’s Falling
04. John
05. Dead Is Better
06. The Hanged Woman
07. The Quick And The Damned
08. Dirty Weather
09. The Stranger
10. He Fell

One album, Double Eyelid, Seven Years, ten tracks and a countless palette of vigorous images. I have never struggled before to put down some words on an album, as with this one. Not because I would try to look for bright points in a boring album, but because this album is so extraordinary; so emotional, intelligent and thought provoking, it is incredibly difficult for me to put all the imagery and feelings I encountered with this album, down. Formed in 2009 and emerging from Canada, Double Eyelid consist of its mastermind and remarkable vocalist Ian Revell, Karl Mohr on guitar and Benjamin Mueller Heaslip behind the keyboard. Presenting the band – that’s the easy part. Now onward to the music on Seven Years. Here we go.

No, I cannot give you the genre; simply because Double Eyelid is something you have never heard before. Experimenting with death rock, electro rock, darkwave and glam rock and adding a lot of dramatic moments to the sound, is probably the easiest way to go. This album is so incredibly dense, yet so fluid, it’s almost surreal. And while I was listening to it, it got all these strange and unconnected associations; varying from musicians such as Michael Jackson, Christian Death, Nine Inch Nails, David Bowie and Nina Hagen and literary works, like Bram Stoker’s gothic horror masterpiece Dracula and the absurd and avant-garde play The Bald Soprano by Eugene Ionesco. Yes, this album is everything: artsy, avant-garde, dramatic, dark, passionate, flirty, romantic, weird and so incredibly profound. The complex structure combining electronic features with pure death rock guitar driven melodies, additional piano tunes and entrancing vocals create very theatrical and romantic atmosphere, filled with pathos, despair, obnoxiousness and well - on the other side - love, romanticism and affection. Some songs are more slow-paced and almost dreadful or even vile, such as ''She’s Falling'', while others explore a more rock-on based sound, for example ''The Quick And The Dead'' or ''John''. The bass line on the opening track, ''Black Box'' seems awfully strange to me though, but I have not to this day deciphered what it reminds me of. Nonetheless, there is no sign of copying anyone or anything, don’t get me wrong, because all in all, the opening song is just as theatrical, obscure and over-the-top, while not trespassing the boundaries of disconnected distortion, as the other tracks. The pulsating sound of ''Diamond Cutter'' alongside Ian’s deeply vehement vocals create a special, sexy and intense ambient, which  reminds me of what the oozing and tense Nine Inch Nails's famous song ''Closer'' was presenting. Double Eyelid also honoured the late and legendary Rozz Williams by covering ''The Stranger'' and decided to end the album with a grandiose, darkly cliff-hanger ''He Fell''.

Seven Years will definitely be one of my top albums of this year; simply, because I consider myself an ''adventurous experimentalist'' when it comes to music, and this album simply fits to that. Imagine a painter, standing in front of a blank canvas and splattering all the different colours on it, resulting in creating a beautiful painting, which holds a very strong story behind it. That’s what Double Eyelid does - with music. The splatter becomes reality, becomes art and delivers a message; gloomy, deep, fiery and aesthetic. I am no master in psychology of art (no shit, Sherlock), but this album is an artistic composition, that will evoke a wide palette of emotions and I can only wish for this band to continue the path they are on, bringing us something fresh, unique and so highly addictive in the future.

Review written by: Ines
Rating: 9/10

Recommended by Terra Relicta

Band: Kammarheit
Album title: Unearthed: 2000-2002 (75th Cycle)
Release date: 27 March 2015
Label: Cyclic Law

In 2015, Kammarheit is synonymous with dark ambient. But back in 2000-2002 Par Bostrom was just beginning to test the waters of this under-the-radar genre. The birth of his project Kammarheit seems like it must have been a true awakening of the senses for Bostrom. After a field-recording session at an abandoned factory he immediately produced his first album Shockwork that very night. What followed was a torrent of albums, six in total, over the two year span from 2000-2002. Yet these albums were not intended for public consumption. A testament to how deeply personal Kammarheit is to Par Bostrom, he produced these albums as a means to help overcome his insomnia. They were only shared with a handful of friends and family at the time. This is an amazing addition to Kammarheit's officially released discography, and a reminder that Par Bostrom was a natural from the beginning and in it for the long haul.

Read a full review HERE