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Terra Relicta Top 20 Of 2017



01. Lacrimosa
- Testimonium
02. Sólstafir
- Berdreyminn
03. Soror Dolorosa
- Apollo
04. Ulver
- The Assassination Of Julius Caesar
05. Myrkur
- Mareridt
06. Sun Of The Sleepless
- To The Elements
07. Moonspell
- 1755
08. Au Champ Des Morts
- Dans La Joie
09. Andras
- Reminiszenzen...
10. Svartsinn
- Mørkets Variabler

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The Devil & The Universe - Haunted Summer (2014) - Review

Band: The Devil & The Universe
Album title: Haunted Summer
Release date: 31 October 2014
Label: [aufnahme + wiedergabe]

Tracklist:
01. Haunted Summer
02. Stygian
03. Cloak Of Dispersion
04. Danaus Plexippus
05. The Goat Head
06. The Curse Of Byron
07. Calling Of The Shades
08. Phantasmagoria
09. Gipfelrausch
10. Elisa Fields [Bonus]
11. Womb Of The Night [Bonus]
12. Haunted Meadow [Bonus]
13. Diodati 1816 [Bonus]

In 1816, Lord Byron invited a group of youthful art-lovers to spend an idyllic summer in his Geneva's lakeside mansion: the famed Villa Diodati. Included in that exceptional guest list were the literary couple Percy and Mary Shelley, Mary's step-sister Claire Clairmont and the physician John William Polidori - two women in their teens and three men in their twenties, afire with rebellion and revelry. To avoid the unexpected dreary weather, Byron and his invitees stayed indoors nearly the whole summertime and entertained themselves, not only by writing scary stories - Mary conceived the idea for her novel "Frankenstein" during those days - but also indulging in unfettered orgies of drug, sex and occult. Drawing on that spirit of free-thinking and transgression, Austrian musical project The Devil & The Universe has created its second full-length album: Haunted Summer. As has been customary since the release of the band's debut EP Evoking Eternity, magic and religion in themselves are at the back of the songwriting and John Carpenter's film scores also cast a long shadow over this new record.

The sounds in Haunted Summer bring us closer to that presumed tangle of eroticism, perversity and arcane experiences that were lived in Byron's holiday home at that time. Not for nothing, Ashley Dayour (Whispers In The Shadow, Coma Divine), David Pfister (Neigungsgruppe, Sex, Gewalt und gute Laune) and the recently joined Stefan Elsbacher (Black Manna), carried their goat masks, habits and Tarot cards to an small chapel located in a forest of Styria, where they spent an entire month to invoke those spectres of 1816. Inspired by the eerie environment and, furthermore, supported in creation by supernatural methods such as automatic writing or necromancy, The Devil & The Universe approaches us now to polymorphous, ritually dark realms where all the aforementioned can be truly felt.

But even most important is how naturally Haunted Summer holds the listener entranced from one fictional stage to another, due to its effective blend of ancient and modern, electronic and acoustic, computers and exotic instruments. Whatever your musical taste, you will certainly find much to appreciate in this album. There are addictive tracks woven with ethnic-trance, grinding rhythmical threads, such as "The Goat Head"; songs that bridge the immemorial and the cutting-edge in intriguing ways: either merging danceable, tribal-flavored percussion with ominous electronica sweeps and flourishes, like the ritual-paced "Calling Of The Shades" or "Stygian" - whose old-age strings loop sticks in mind for a long while; or triggering an occasional rapture on the basis of a defocussed cinematic style, as occurs in "Cloak Of Dispersion", "Phantasmagoria" and "Gipfelrausch". In other tracks, a dirge-like, chilly atmosphere prevails, as in the case of "The Curse Of Byron", which sounds archaic and cold-wavey at the same time; the advanced video-single "Danaus Plexippus", simultaneously bitter and lovely, with stringed drums and synth harmonies that embody the wistfulness of eons gone by, while its central beat keeps the things catchy; or the striking title track, which places us in 'haunted' context through road-to-perdition drum thuds and slowed-down, murky riffs with traces of Black Sabbath.

The bonus material includes "Elisa Fields" and "Womb Of The Night" (both previously released as part of the 12" single What Time Is Love?), as well as "Haunted Meadow" and "Diodati 1816", two brilliant score-style pieces that make art of spookyness by setting ethereal chords of guitar, suspenseful piano notes and ghostly voices in contrast against minimalist, horror-synthed backdrops. No wonder that John Carpenter himself likes the music of The Devil & The Universe. As far as I'm concerned, I'm hooked on these ancient-tronic jams with dashes of multiform perversion.

Review written by: Billyphobia
Rating: 9/10

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Band: Devilment
Album title: II-The Mephisto Waltzes
Release date: 18 November 2016
Label: Nuclear Blast Records

The Mephisto Waltzes is a cracked and crazed rollercoaster ride through a twisted universe populated by grotesque monsters, deviant freaks and irresistible, ghoulish heroines. The second offering of Devilment features nine tracks full of gothy/horror metal with a lot of creepy atmospheric soundscapes. It's a haunting and often captivatingly extreme, often with some black metal in it, but not only, there are plenty of NWOBHM and typical hard rock hooks, and all this manifests in great dynamics that The Mephisto Waltzes offers. It's nice to hear and see that Devilment are becoming such an entity on its own. Everything shines even more because of great production that adds another degree of heaviness to the whole thing. Devilment became with this album a wholly distinctive unholy force, with an intuitive understanding of the value of shattering every mirror and stepping through into an alternate dimension where rulebooks smoulder and hell’s gates are thrown open for an unhinged but celebratory knees-up, and certainly a genuine force to be reckoned with.

Read a full review HERE