This site uses cookies. By continuing to browse the site, you are agreeing to our use of cookies.

Please consider supporting this website by disabling your ad-blocker. This website does not use audio ads, pop-ups, or other annoyances. And please support Terra Relicta by giving a little donation if you can! Thank you!!!



Terra Relicta Top 20 Of 2018



01. Aeon Sable
- Aether
02. Amorphis
- Queen Of Time
03. Atrium Carceri
- Codex
04. Dimmu Borgir
- Eonian
05. Behemoth
- I Loved You At Your Darkest
06. The Eternal
- Waiting For The Endless Dawn
07. MGT
- Gemini Nyte
08. Primordial
- Exile Amongst The Ruins
09. Khôrada
- Salt
10. Immortal
- Northern Chaos Gods

More HERE

Random album

NU:N - Nothing Unveils Nothing (2014) - Review

Band: NU:N
Album title: Nothing Unveils Nothing
Release date: 22 December 2014
Label: Black Genesis Records

Tracklist:
01. Entrance To Illumination
02. In April Of 1984
03. Under Your Stars Above
04. Scorpio Rising
05. Dawn Of Terrestrial Birth
06. Elysium For The Weak
07. Dance To The Sun
08. This City This Woman
09. Scorpio Rising: Flesh Mix
10. Dance To The Sun: Nihilistic Version

Nowadays it's rather unusual that seasoned goths unanimously welcome a recording debut, even more if its authors are almost unheard of. Well, it's precisely this scenario which surrounds the Porto-based band NU:N (Nothing Unveils Nothing), whose self-titled first album is running quickly from mouth to mouth. Firmly rooted in the goth rock's peak of splendour - early 90's, in my view - NU:N's music conjures images of smoky dance floors, engulfed by hairspray and worn leather smell, while taking us into pitch-black realms that straddle the border between mythology and reverie. Rhythms pulse relentlessly, with the drum machine rattling for war and the bassist performing his grooviest way with deeply dark aplomb. Ambiances are opaque, weirdly aerial, and has been designed from a fleshed out minimalism that turns seconds into minutes, what is as crucial to the mood and the journey as any harsh baritone, minor chord or riff. So, whatever your taste in goth rock, these songs should entice you at first listening.

Already in the album's outset, NU:N's contextual ideas crop up with clarity. The intro track "Entrance To Illumination" puts us in sync with a remote, arcane wavelength. Sacred female chants, ancient blown melodies, ominous synths and growls... barely a minute is enough to set a mysterious cathartic climax that will be maintained to the end. "In April Of 1984" comes next with dual-edged appeal; on the one hand, it sounds frenzy and eerily classy like those evergreens by Rosetta Stone, drenched in pounding electronics and driven by pulsating bass lines; on the other, guitars chime with gloom, mirroring the gravelly vocals in a way rather reminiscent of earlier Love Like Blood. This double yarns thread firmly the fastest songs and often, as is the case here, there are swaths of rhythmic piano tunes for a thrilling rounding-off which remind much of the Nosferatu's Rise-era. The following can only be described as truly anthemic goth rock. "Under Your Stars Above", wisely chosen as advance track, has a perfect balance between tension and release, while never departing from an epic style. Riffs squirm with anger and yearn like they're souls escaping distortion; bouncy and intense, bass joins guitars in the fueling tasks so that the song resonates with Fields Of The Nephilim's powerful heritage; drum beats are throughout, tight, restrained to stand out the stringed shimmers and throaty voices, and explosive when they need to be. The pace shifts a gear down with "Scorpio Rising", the album's second single. Wistful, gentle harmonies from both keyboards and guitars move in circles around an icy, yet steady, central beat, providing a plausible sense of elevation. At times, its warm melancholy casts my mind to Red Sun Revival, while the theme is much closer to the Merciful Nuns' ulterior odysseys, as the occult samples at the end of the song and the brooding, piano-driven sequel "Dawn Of Terrestrial Birth" clarifies. "Elysium For The Weak", with strong influence of Suspiria's disco-tragedies, and "Dance To The Sun", with clear rings of guitar soaring over swirling electronics and creepy synths, are solid goth rock hymns too. By contrast, "This City This Woman" puts a threatening, soundtrackish finale to this record. Minimal rhythms, eerie noises, suspenseful down-tuned strums, watery sounds and hoarsely nightmarish voices penetrate the listener like black light from the mouth of infinity.

Additionally, the collector's edition CD (limited to 500 copies) features two worthy remixes: "Scorpio Rising: Flesh Mix" by Tom Simons (This Veil Of Tears) and "Dance To The Sun: Nihilistic Version".

Review written by: Billyphobia
Rating: 7,5/10

Recommended by Terra Relicta

Band: Draconian
Album title: Sovran
Release date: 30 October 2015
Label: Napalm Records

Sovran is a proof that the combination of gothic metal and doom metal works out perfectly if you have top notch musicians performing and composing it. While the pace of the album is a bit slower and not so direct like on some of their previous albums, the whole gloomy atmosphere is outstanding, songs are catchy, flowing, dramatic and absolutely racked by melancholy. Most of the melodies are stunningly captivating, guitar sound is gentle and heavy at the same time, often we hear those typical slowly gliding evocative trademark Draconian lines and riffs which brings tears in the eye, the rhythmic line is crushing, just right to give that necessary dose of turbulent doom metal and slight aggression into these compositions. The multidimensional ambiance gets often fulfilled with obscure gothy symphonic synths which give to the songs such an unimaginable depth and rich sound. All of the songs on Sovran are nicely building up in atmosphere, there are so many layers and the one who would like to take everything this album offers should be concetrated on the music as much as possible, possibly setting up a perfect mood. Sovran is magical, soothing, melancholic and dreamy adventure, yet it is ponderous, powerful and heavy by partly remaining loyal to the formula from their debut album, Where Lovers Mourn (2003), where the band made a deviation from their early death/black metal days into a dark and doomy metal style which convinced fans of bands like My Dying Bride, Paradise Lost and early Anathema.

Read a full review HERE