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Terra Relicta Top 20 Of 2018



01. Amorphis -
Queen Of Time
02. Dimmu Borgir -
Eonian
03. Khôrada - Salt
04. Immortal -
Northern Chaos Gods
05. MGT -
Gemini Nyte
06. Summoning -
With Doom We Come
07. Crone -
Godspeed
08. Primordial -
Exile Amongst The Ruins
09. Atrium Carceri & Herbst9 -
Ur Djupan Dal
10. Mournful Congregation -
The Incubus Of Karma

More HERE

Random album

Qual - Sable (2015) - Review

Band: Qual
Album title: Sable
Release date: 28 May 2015
Label: Avant! Records

Tracklist:
01. Sable
02. Spit On Me
03. Flay
04. Benevolent Technologies
05. O' Ornate Spade
06. The Geometry Of Wounds
07. Luxurious Bleedings
08. Putrid Perfumes
09. Desolate Discotheque
10. Rip Doth Thy Scarlet Claws

Cold grey, elegant and stripped back padscapes. Fragmentary images of sorrow and pain, loneliness and despair, arranged in such a way that you can feel an ominous cloud hanging over you, getting closer with every pitched-down baritone and sequenced gloom figure. A bizarrely noir synthesis of dark wave, minimal synth, original-styled goth and, to a lesser extent, old-school EBM precepts, taken to a wholly-owned point though. Harsh beat monotony, true, but once immersed in it, what comes out the other side are arpeggiated, scratchy tunes looping around the beating central hook, like animas drawn to light. The kind of record from which a positive obsession is born. So great are the vibes conveyed in Sable, the debut album of William Maybelline (better known as the sinister half of the Lebanon Hanover duo) with his solo project Qual.

Already at the beginning, the title track and "Spit On Me" connect us with an aeons aged despair. Raspy and refulgent like plutonium, the synth monodies join the brooding, maniac vocal delivery to gradually entangle us in downward spiral context, while the electronic thuds and rattles match the listener's pulse causing a dizzying effect. The initiatic rite ends here and, from then on, we're ready to perceive the sounds twisting and convulsing within themselves as if they have own life. Next cut "Flay" adds some decompression through a haunting, resinous melody that creeps into the brain to stay. It's a minimal misfit mounted on piercing bass motifs and a thumping drum beat. With "Benevolent Technologies" the rhythms get more brassy, jumpy and mechanical, recalling the punk-rooted pioneers of EBM, yet a mysterious story is also embedded within vocals ala pre-mainstream Neue Deutsche Welle and the compulsive, glitchy pulses from the computers. Building up on a tensile, tinny cicada pattern, "O' Ornate Spade" makes the temperature drops again and manages to maintain something filmic lurking beyond its funereal fashion. "The Geometry Of Wounds" shifts the album into more contemporary, familiar terrain, specifically a chic, ghosted dancefloor tragedy. It shows an exciting core contrast between gloomy harmonic sprays and throbbing synthed bass grooves, pushed atop the sharp, breakneck pound of the machines. "Luxurious Bleedings" and "Putrid Perfumes" suspend us in a straight-laced goth atmosphere. The beatbox still assaults our nervous system all along, but its cunningly assembled set of melodies, chants and organ lines provide an otherworldly, gliding scenario. In my view, both tracks are majestically sinister. "Desolate Discotheque" keeps the fog in place, and deep-timbered, decadent dandy vocals marry with sweeping keyboard mourners making a velvety dark swing takes root. Engaging like an intense, little dramatic poem. "Rip Doth Thy Scarlet Claws" puts an apocalyptic, suspenseful clasp to the album, by means of detached, robotic inflections, samples screaming like air-raid sirens, random signals from beyond the threshold, and a thrilling action-packed electronic spine.

Review written by: Billyphobia
Rating: 7,5/10

Recommended by Terra Relicta

Band: Heavenwood
Album title: The Tarot Of The Bohemians – Part 1
Release date: 22 July 2016
Label: Massacre Records

Heavenwood are back with their fifth full-lenght album and with a new line-up, with only two original members left, the main composer guitarist/vocalist Ricardo Dias and vocalist Ernesto Guerra. The new member is guitarist Vítor Carvalho, known from Demon Dagger. This album also marks a return to their former label, Massacre Records, where Heavenwood already released their first two albums. The Tarot Of The Bohemians – Part 1 is very dramatic, an adventurous album, there are so many mood changes, pace variations, from fast speeding to mournful doom one. The sound is often rich and highly atmospheric, and above all also very original what is rare this days. The Tarot Of The Bohemians – Part 1 shines as well because of great production which adds a lot of depth and aggression. Heavenwood must be proud of this creation, The Tarot Of The Bohemians – Part 1 is a proper example of well crafted extreme/dark/gothic metal!

Read a full review HERE