This site uses cookies. By continuing to browse the site, you are agreeing to our use of cookies.

Please consider supporting this website by disabling your ad-blocker. This website does not use audio ads, pop-ups, or other annoyances. And please support Terra Relicta by giving a little donation if you can! Thank you!!!

Terra Relicta Top 20 Of 2018

01. Aeon Sable
- Aether
02. Amorphis
- Queen Of Time
03. Atrium Carceri
- Codex
04. Dimmu Borgir
- Eonian
05. Behemoth
- I Loved You At Your Darkest
06. The Eternal
- Waiting For The Endless Dawn
07. MGT
- Gemini Nyte
08. Primordial
- Exile Amongst The Ruins
09. Khôrada
- Salt
10. Immortal
- Northern Chaos Gods


Random album

Lachrymose - Carpe Noctum (2015) - Review

Band: Lachrymose
Album title: Carpe Noctum
Release date: 28 August 2015
Label: Pure Steel Publishing

01. Precipice Of Bliss
02. False God
03. Pinnacle Of Faith
04. Black Legend
05. My Shadow (A Revelation)
06. Face Of Horror
07. Carpe Noctum
08. In A Reverie (feat. Thomas Vikström)
09. Thyella
10. Fade

Doom metal with female lead vocalists is nothing unusual and rare this days, many bands have fallen under this trend, and of course most of them don't forget to add in their music harsh male vocals. The same story is with Greeks Lachrymose, a new band formed by experienced members like are guitarist/vocalist Blackmass and drummer Mancer, both known from black/death metal act Rotting Flesh. They are joined by vocalist Hel and bassist Kerk. As it's the bands name pretty unoriginal, so it's with music. I won't deny that I was expecting some great things from this union of talented musicians, but what we got on their debut is a pretty mellow and generic doom metal. The band has a lot of potential, but they simply lack the ability to create something stunning that could be interesting enough to catch the attention of those who seek for new enthusing things inside the genre.

Use of operatic female vocals could be a good thing, but it really doesn't fit into the whole spectrum of the instrumental side of Lachrymose. Even though Hel's voice is powerful, she's a talented singer, but in here it sounds simply annoying on most of the songs, her singing parts are too linear, almost without ups and downs. Harsh male vocals are as well nothing that could make the sound a bit more interesting, neither makes it dynamic, it seems that are there just to add a bit of heaviness into the sound. Almost all of the tracks follow the same receipt, slow to mid paced guitar riffing, with occasional atmospheric insertions and melodies that vanish too soon into nothingness. The rhytmic line is very mellow, with occasional drum patterns that are above average, but all in all there's simply nothing you haven't heard before.

Lachrymose is in a way kind of a band that could be best compared to the mighty Candlemass, My Dying Bride and The Prophecy who were toying around with Nightwish, for what concerns female vocals, but don't reach even close to the heights of none of this bands. The only moment where I was enjoying it is the almost epic "My Shadow (A Revelation)", where the band reaches kind of a harmony and enthuses with slowly building up composition and short use of female spoken words is better than every other vocal approach in here. The rest of the tracks seems just like being without head and tail. The problem is also that the overall sound is in a way too shallow and I believe that use of some gloomy atmospheric synths could make the difference and the textures might become a bit richer. Neither does the guest appearance of Thomas Vikström (known better as being once a singer in Candlemass and recently in Therion), on a bit more dynamic and upbeat "In A Reverie", save the thing, Thomas's and Hel's vocal duet simply doesn't work out. So, unfortunately the best thing on this album, beside before mentioned "My Shadow (A Revelation)", remains the dark atmospheric intro "Precipice Of Bliss" and the outro "Fade".

Carpe Noctum has also a strange kind of a production and final mix, I don't know if the band wanted to make the sound more vintage smelling or what, but unfortunatelly lead vocals are too much fronted, the guitar power is almost lost somewhere in the mix, the same is with bass and drums. In the end the listener gets a feeling that everything was done in a hurry, without proper focus on things, without any concept, without any passion. Carpe Noctum is except for some tiny bright moments a very generic and bland doom metal album, it sounds almost like a demo recording of a band that just started to rehearse together without any special ideas how to be original, and also the most devoted fans of doom and female fronted metal won't find almost anything that will gain their attention. This is an album that can be easily missed in your collection.

Review written by: T.V.
Rating: 4/10

Recommended by Terra Relicta

Band: Black Egg
Album title: Melencolia
Release date: 4 September 2015
Label: [aufnahme + wiedergabe]

The main persona behind Black Egg is the French composer/singer/multiinstrumentalist UsherSan, active in the music business since late 80s, known from before as the founder of the legendary Norma Loy and Die Puppe, this time he teamed up with the Austrian soul mate Corina Nenuphar (Ghost Actor, Vile Oblique, Suicide Potion,...), and the two created an album of highly hypnotizing dark minimalism. Melencolia gives shivers, it's an album with an eerie and cold atmosphere, yet at he same time it's very intimate and somehow schizophrenic. Melencolia is maybe the most minimalistic thing Black Egg did so far, but it offers such a multidimensional sound with many layers and variations that can't be taken just like another minimal dark electro thing, and it's absolutely not. Black Egg on Melencolia created a very dense and perverse sound which drills into your mind and soul with retro psychedelic elements, that could be in a strange way connected with the retro avantgarde rock sound of Velvet Underground and even with most disturbing and provocative things The Doors did back then. Use of different instruments, from synthetic retro beats, various samples, deep pulsating bass lines, piano, rhythmic noises,..., makes the whole thing dynamic, the atmosphere is often very suspenseful, psychedelic, sometimes almost appropriate for a BDSM orgy, everything is yet well produced and arranged, giving kind of a multimensional depth. Melencolia is sickness and darkness incarnated, it's beauty and schizophrenia, it's mysterious, melancholic and perverse.

Read a full review HERE