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Terra Relicta Top 20 Of 2016



01. The Human Voice - Silent Heart
02. Trees Of Eternity
- Hour Of The Nightingale
03. Darkher
- Realms
04. Aeon Sable
- Hypaerion
05. The Foreshadowing
- Seven Heads Ten Horns
06. NU:N
- Naked Until Noema
07. Cryo Chamber Collaboration
- Nyarlathotep
08. In The Woods...
- Pure
09. Klimt 1918
- Sentimentale Jugend
10. Terra Tenebrosa
- The Reverses

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Orkan - Livlaus (2015) - Review

Band: Orkan
Album title: Livlaus
Release date: 11 September 2015
Label: Dark Essence Records

Tracklist:
01. Fanden På Veggen
02. Brende Bruer, Svart Metall
03. Livlaus del 1: Evig
04. Livlaus del 2: Dødens Dal
05. Livlaus del 3: Tusen Sjeler
06. Uforgjengeleg
07. Skodde

Norwegian black metal outfit Orkan are back with their sophomore album named Livlaus, three years after the release of their debut Crimson Canvas. Orkan were formed in 2008 by Taake's live guitarist Gjermund Fredheim and ex-Byfrost drummer Rene Nesse. Having been joined by former Grimnorth bassist Sindre Hillesdal and frontman Einar Fjelldal ex-Gravemachine, Orkan released their debut full-lenght album Crimson Canvas in 2012. Whilst Crimson Canvas is, as described by the band, soundwise behind them and now they've taken their musical vision in a much darker direction, taking the classic Norwegian black metal sound and incorporating into it influences from many other genres, to create atmospheric melodies with haunting vocals and intense blastbeats.

Although Livlaus is unquestionably quintessentional black metal, other influences are woren in, ranging from thrash to almost black'n'rolll elements. Right off the bat with "Fanden På Veggen", it becomes immediately clear that this is not your average run-of-the-mill black metal album, with mid-paced songs and odd tempo changes interlaced with weird little unexpected twists in melody. The vocals are used sparingly as a counter point to the instrumental section, allowing the effects and textures to take the fore, whilst understated screams linger in the gloomy background giving everything a hair-raising eeriness. And like a flick of a switch "Brende Bruer, Svart Metall" launched-straight into what can only be seen as the polar opposite: very fast, aggresive and savage, thus providing the perfect juxtaposition for the melancholic-tinted dirge-like "Livlaus del 1, Evig". And just as you start thinking you're getting a feel for the album, you're struck by the powerfull, rolling and majestic beauty of "Livlaus del 2, Dodens Dal" undeniably one of the highlights of the album for me. "Uforgjengeleg" on the other hand has a bit of that unique Taake flavour in it, althought this by no means suggests that Orkan are on shortage in originality. Noteworthy guest vocal performances by Hoest of Taake and V'Gandr of Helheim further help to bring diversity and already great variety found in this album, making it a treasure-trove of hidden gems from beginning to end.

Livlaus was recorded live in the studio, there was no editing in basic tracks. Vocals and effects were added later later on. The lyrics are in Norwegian and the whole album is based around a loose concept about a lost soul who is trying to find peace in the kingdom of the dead. The inspiration comes from the forest around the home of drummer Rune Nesse and the old sulphur mines in his hometown, Stord, on the west coast of Norway.

Overall, Livlaus is on excellent opus and it was worth waiting for it. I can only imagine what an electrifying experience it must be to see those songs played live! Definitlyy a must listen to for any fans of black metal, and in particular for fans of Norwegian underground. Livlaus is a strong contender for many "Best of 2015" lists..

Review written by: Imago Mortis
Rating: 9/10

Disclaimer: This is a guest review and it does not necessarily represent the point of view of the Terra Relicta staff.

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Band: Phonothek
Album title: Lost In Fog
Release date: 17 May 2016
Label: Cryo Chamber

The Phonothek debut appears to be one more step in the expansion of the Cryo Chamber image. On Lost In Fog, we hear a lot more overtly musical elements than are often present. The dichotomy gives the entirety of Lost In Fog a brilliantly dramatic and cinematic edge. The cinematic aspect is further displayed in the choice of track titles. It seems as though we are being guided through a story, and each title gives a bit of a hint into the narrative. As with many dark ambient releases, there are enough hints here to suggest a theme and a progression of scenes. Yet luckily these hints are not commanding enough to steal the sense of mystery and discovery from the listener. Phonothek prove that there is still quite a lot more to offer in this area, much of which we may not even realize is possible until someone comes along and pushes the boundaries just a bit further.

Read a full review HERE