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Terra Relicta Top 20 Of 2018



01. Amorphis -
Queen Of Time
02. Dimmu Borgir -
Eonian
03. Khôrada - Salt
04. Immortal -
Northern Chaos Gods
05. MGT -
Gemini Nyte
06. Summoning -
With Doom We Come
07. Crone -
Godspeed
08. Primordial -
Exile Amongst The Ruins
09. Atrium Carceri & Herbst9 -
Ur Djupan Dal
10. Mournful Congregation -
The Incubus Of Karma

More HERE

Random album

Alive - Before The Dawn (2012) - Review

Band: Alive
Album title: Before The Dawn
Release date: 30 September 2012
Label: Self-Released

Tracklisting:
01. Zdes I Seichas
02. Survive
03. Before The Dawn
04. Stain
05. Believe In You
06. Redemption
07. On My Own
08. Navsegda
09. Tears And Scars
10. Dreams
11. Sweet Amber (bonus track)

A recent flood of bands from ex Soviet Union countries has given us some nice surprises, but also some really failed performances and recycles of different genres. Alive are somewhere in the middle, they offer a good performance, but they fail in the sector of showing some original ideas and are settling themselves in many times played and replayed musical formula. Formed in 2009 this Moldavian six piece band plays kind of alternative gothic metal, enriched with nice harsh black metallic screams and surprisingly good guitar work.

What starts in a great manner with the opener "Zdes I Seichas" sangt in their mother tongue, with top notch gothic metal performance, amazing atmospheric keys, diverse vocals, from growls, screams and rather annoying clear singing. A great sense for creating marvelous and captivating melodies, thunderous drumming performance is spoiled soon with poorly performed next tracks, specially because of vocal duties from their main singer who should, rather than sing in English, stick to approved formula from the first track. Still we can enjoy nice screamed backing vocals and I repeat great drumming performance, plus some enjoyable guitar leads. What I was most afraid of comes with the album titled third track "Before The Dawn". A typical so called "love metal" song in the vein, let's guess, HIM. Also "Stain", "Believe In You", "Tears And Scars", "Dreams" and especially "Redemption" show nothing else than many times replayed Suomi formula. Neither black screams from Anastasia Iliciova can save the overall picture, it rather works like kind of forced use of harsh elements to make songs more dynamic, but no, imagine HIM or Rasmus with black metal vocalist in the background and you'll get the image. "On My Own" in its rather alternative rock form and nice but short acoustic ballad "Sweet Amber" are not bad, also another track sangt in Moldavian "Navsegda" gives some nice moments, but not enough to say that this record is above the average "eastern love metal" production. Like I said many times, it's a waste of talent and time of some capable musicians when they recycle music like this. I have nothing to say against the sole production, as you can hear all the instruments very clear.

Alive, nevertheless shows some good compositions, great melodies and you can enjoy in some nice atmospheres created by gloomy keyboards. If nothing is good enough for you then there is still nice and sexy cover photo...

Review written by: T.V.
Rating: 6,5/10

Recommended by Terra Relicta

Band: Mütterlein
Album title: Orphans Of The Black Sun
Release date: 22 April 2016
Label: Sundust Records

Truly insane, wicked, haunting and absolutely unique is the debut album of French act Mütterlein. The band is conducted by vocalist, songwriter, composer and performer Marion Leclercq, joined by multi-instrumentalist Christophe Chavanon, and the two describe their musical output as witch wave. Mütterlein on their debut album presents six tracks clocking in around 35 minutes, but what minutes those are, there's not a single moment where the intensity is lacked, nor there's a part without emotional outpours, even if at moments it might sound a bit minimalistic, there's no single moment without being thrown into some kind of a bewitching magical world. Orphans Of The Black Sun is not an easy album, at least after a first couple of listens it might be even disturbing, but the whole thing might drastically change if you immerse yourself a bit more into this musical creation. With Mütterlein's sound we are like being trapped in some sort of underground world or dungeon. This is an opus that conveys sadness and anguish of being, as beautiful as the biting cold of winter, yet as gloomy as a funeral of a loved one. It's all in one - sadistic, dreadful and mesmerizing!

Read a full review HERE