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Terra Relicta Top 20 Of 2018



01. Aeon Sable
- Aether
02. Amorphis
- Queen Of Time
03. Atrium Carceri
- Codex
04. Dimmu Borgir
- Eonian
05. Behemoth
- I Loved You At Your Darkest
06. The Eternal
- Waiting For The Endless Dawn
07. MGT
- Gemini Nyte
08. Primordial
- Exile Amongst The Ruins
09. Khôrada
- Salt
10. Immortal
- Northern Chaos Gods

More HERE

Random album

Germ - Escape (2016) - Review

Band: Germ
Album title: Escape
Release date: 29 April 2016
Label: Prophecy Productions

Tracklist:                
01. I
02. Escape
03. I'll Give Myself To The Wind
04. Under Crimson Skies
05. V
06. The Old Dead Tree
07. With The Death Of A Blossoming Flower
08. Closer

The Australian multiinstrumentalist Tim Yatras, best known as a studio member of Woods Of Desolation on their highly acclaimed 2011's masterpiece Torn Beyond Reason, but as well as a full-time or just session, studio or a part-time member in several other bands like are now defunct Austere, Grey Waters, Thy Light,..., now returns with his main solo act Germ. Escape is already the third full-lenght for Germ, plus there was one EP released in between, and this new offering on many levels shows the most audacious and maybe the darkest Tim's work to date. He named his music as experimental depressive black music, but if I'm to analyse Germ's sound a bit deeper, I can say that typical post-metal, blackgaze, depressive black metal, plus some gloomy electronics can be considered as basis, but in contrast to all that the sound has kind of a fascinatinating poppy accessibility. Escape is an autobiographical work and it tackles a feeling of both internal and external imprisonment which strongly influenced Yatras during the songwriting of this album. Tim Yatras was suffering from some kind of a mental illness for years, keeping him trapped within his own mind, and with Escape he looks back thoughtfully on one of the gloomiest periods in his life.

Musically Escape is shining because of great melodic guitar lines, mostly very compressed and dense, creating some stunning captivating ambiances that with ease grabs you and takes you with the flow of the songs. Drums are mostly simplistic, but on several occasions also very tight and powerful, while bass lines don't get so much emphasis in those compositions. Everything gets its final colour with typical depressive black metal kind of shrieks that adds a bit of extremity to the overall sound. Now, if I like a lot those shrieks full of pain and anguish, I was not so much impressed by utilisation and mix of clean vocals at certain points, it often sound so bland and it disenchants the whole feeling, just listen to "Under Crimson Skies" and you'll get my point, but on the other hand it works very well in the closing totally melancholic song "Closer". Still it's a pure joy for us musical adventurists when Germ goes into such a deviant epic darkness and melancholic ambiances with the title track or even better with the epic "The Old Dead Tree", where every single element is just on the right place to let you go out of your mind. In the speeding beginning of "With The Death Of A Blossoming Flower" I can sense some early Burzum elements, but it's the rich, multi layered, yet melodic sound with some dissonant parts and highly atmospheric synths in the background that certainly adds kind of a unique dimension. Germ also isn't estranged to some dark ambient and utilizes it perfectly in the short intermezzo "V". There are all over many nice twists that keeps everything dynamic and throughout rich from many possible aspects.

If you've been searching for something original you won't find it that much in Escape, because at first glance this is more or less just another post-black metal album, but if you like highly emotional, cold, oppressive and dark music that is yet extreme, than Germ's latest album might be a thing worth finding out. In those 45 minutes of playing time it might seduce you and give you that special kind of bittersweet feeling of entrapment into this decadent world and mindless society. There might be no escape from the harsh reality, but it's more than sure that music such as can be heard on Escape certainly eases a bit the whole existential dilemas of wounded minds.

Review written by: T.V.
Rating: 7,5/10

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Band: Born For Bliss
Album title: Falling Back To Never
Release date: 16 October 2015
Label: Echozone

Born For Bliss is finally back with an album that's by all means a proper masterpiece, Falling Back To Never, which takes with such an ease the listener into a magical world that can be rarely witnessed. Falling Back To Never is like a story told in twelve chapters and as the opener "Innocent" is repetitively saying, "tell me your story, tell me you're innocent...", you know in an instant what will be about lyricaly wise. If the opening song can be counted like a rather hypnotic and psychedelic, yet very multidimensional introduction into Falling Back To Never, the real drama and whole new world opens up with "This Narrow Place". The sound on the album is somehow complex, constantly divided between the emotional, gentle, atmospheric new wave sound, and the one a bit more hypnotic, but still there's not a single second on it where it loses its extraordinary pathos. The vocal job is simply breathtaking, it's difficult to explain what kind of a power, passion and emotion is poured into it, let it be when Frank sings alone or in a duet with Lori, one of the finest examples of such a duet must be the driving "Better Than Me". The overall very atmospheric sound is often enriched with use of various electronics, synths, piano touches and much more other well thought insertions. The one who takes this sonic journey must be satisfied in the end, because albums like it's Falling Back To Never are rarely released these days. A masterpiece!

Read a full review HERE