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Terra Relicta Top 20 Of 2018



01. Aeon Sable
- Aether
02. Amorphis
- Queen Of Time
03. Atrium Carceri
- Codex
04. Dimmu Borgir
- Eonian
05. Behemoth
- I Loved You At Your Darkest
06. The Eternal
- Waiting For The Endless Dawn
07. MGT
- Gemini Nyte
08. Primordial
- Exile Amongst The Ruins
09. Khôrada
- Salt
10. Immortal
- Northern Chaos Gods

More HERE

Random album

Alcest - Kodama (2016) - Review

Band: Alcest
Album title: Kodama
Release date: 30 September 2016
Label: Prophecy Productions

Tracklist:
01. Kodama
02. Eclosion
03. Je Suis D'ailleurs
04. Untouched
05. Oiseaux De Proie
06. Onyx

Alcest are back, two years after their latest masterpiece, Shelter, a record which divided their fans into two poles, lovers and haters, by leaving behind their metal past and going deeply into dream-pop/shoegaze waters. I'm one of those who loved it and was eagerly awaiting what comes next, and of course, when it comes to one of the most influential bands of the recent era, a band which invented the genre called blackgaze, thus having houndreds of followers, but still remaining unique in every possible way, there's almost no questioning if they can or can't make another stunning sonic adventure. And indeed, Kodama is that, it's a sonic adventure for every lover of atmospheric yet very artistic and highly elaborated music. This is Alcest, and if many claimed that with this new offering the band returns to their origins I'm not so sure, of course it has more heavy elements than its predecessor, it's has much more organic sound and at certain points it sounds very similar to their ultimate masterpiece Écailles De Lune, or even more to the beautiful Les Voyages De L'âme, but still I find it more or less a logical continuation of Shelter.

If the band exlored almost every possible element of atmospheric metal and rock, going deep into dreamy pop gaze and before that seeking the evil essence in the most ambiental side of black metal, now everything is staggering, perfectly put together into this musical amalgam of stylistic maximalism that finds its drawing substantial inspiration from Japanese art and culture, more precisely in Hayao Miyazaki's anime film Princess Mononoke. So, it's not strange that some said this is Alcest's Japanese album, but fear not. Musically Kodama is a broad album and the one who gives it a carefull listen will find in there elements that have its origin in sound of The Smashing Pumpkins, Tool, Cocteau Twins and The Cure to name a few. There's also a lot of typical post-rock, shoegaze, some prog rock and even a necessary dose of blackgaze to be found, but everything put into one emotionally well flowing soundscape which surprisingly offers a highly dynamic sound with many twists, but yeah, even that's nothing new in the case of Alcest.

The fans of Alcest's earlier albums will most probably cry tears of blood when those massive melodic organic guitar riffs and shrieking vocals takes place in "Eclosion", or when the pounding technical drums dominate the structure in otherwise dreamy post-anything-black-gaze of "Je Suis D'ailleurs". But in its essence Kodama is a dreamy and meditative album, every single song is full of parts that simply urges you to close your eyes and take you away from the reality into the most subversive forms of fantasy world. Kodama is a cinematic coalesce of melancholy and airy elements, it breaths smoothness and fascinates with immersive ethereal depth, best heard in the masterpiece where everything converges into one otherwordly soundscape called "Oiseaux De Proie", or in the immense moody ambiental droneing darkness of instrumental "Onyx".

With all that said, you know, it's nothing really new when the talk is about Alcest. I still think that Kodama is just another step in Alcest's never ceasing creative force, it's an album that needs a lot of consequent listens before being completely discovered in all its corners; it boasts with many dramatic subtleties, hidden layers, and to reach that state of mind, when this albums grabs you with its flow, you must be in certain mood, ready to enter this cultural, stylistic and compositional narrative thing that not only upholds the band's trailblazing legacy but actually makes you want to see where they go next. Rare are bands and artists out there that can keep their sound throughout the years so very unique and appealing, yet magical, serene, somehow nostalgic and above all mesmerizing, Alcest are most certainly one of them.

Review written by: T.V.
Rating: 8,5/10

Recommended by Terra Relicta

Band: Erdh
Album: Sideremesis EP
Release date: 19 October 2015
Label: Apathia Records

When Erdh, a French two-piece outfit, released their debut Resilient, they've been tagged as a heavier version of Depeche Mode and their sound has been compared to a variety of well-known musical acts, from Nine Inch Nails and Ulver to Type O Negative and Paradise Lost. With Sideremesis - a four track EP, which in a way serves as a bridge between Resilient and the full length in the making, - the first thing that popped inside my mind was: this is an obscure version of Hurts. The riffing, which presented itself on Resilient is gone, the pace has slowed down and the ambiances spread out through the soundscapes deeper and further. And yet again, the conclusion is the same – this is not and obscure version of Hurts. It's so much more. It's Erdh. Nicolas Pingnelain and Emmanuel Lévy, who have been a steady duet for three years now, have decided to expand their horizons and again gave us a confirmation, they know no boundaries when it comes to music. When you slide through the tunes on the EP, you get the feeling the sound created on it came so natural to them and as it was composed effortlessly. Even though it does take quite a drastic turn away from Resilient, I'm more than sure anyone who was struck by the brilliancy of it will find the comfort in Sideremesis. More to it – even if this is your first encounter with their music, you can start from here and get entranced by the wondrous world of Erdh.

Read a full review HERE