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Terra Relicta Top 20 Of 2018



01. Aeon Sable
- Aether
02. Amorphis
- Queen Of Time
03. Atrium Carceri
- Codex
04. Dimmu Borgir
- Eonian
05. Behemoth
- I Loved You At Your Darkest
06. The Eternal
- Waiting For The Endless Dawn
07. MGT
- Gemini Nyte
08. Primordial
- Exile Amongst The Ruins
09. Khôrada
- Salt
10. Immortal
- Northern Chaos Gods

More HERE

Random album

Devilment - II-The Mephisto Waltzes (2016) - Review

Band: Devilment
Album title: II-The Mephisto Waltzes
Release date: 18 November 2016
Label: Nuclear Blast Records

Tracklist:
01. Judas Stein
02. Hitchcock Blonde
03. Under The Thunder
04. Full Dark, No Stars
05. Shine On Sophie Moone
06. Life Is What You Keep From The Reaper
07. Dea Della Morte
08. Entangled In Our Pride
09. Hell At My Back

If someone thought that Devilment is just one time thing when they released the first album The Great And Secret Show two years ago, and kind of a side project by Dani Filth of notorious Cradle Of Filth, he/she was very wrong. Devilment is back even stronger and I can easily say with even more intriguing album than it was the predecessor. Ok, the founder Daniel Finch left in pursue of other musical discoveries, but Dani Filth and his team of nefarious frights which now consists of bassist Nick Johnson, guitarist Colin Parks, keyboardist and female vocalist Lauren Francis, and new drummer Matt Alson, decided to make Devilment an entity to be reconsidered and here they came with a horror dark metal masterpiece The Mephisto Waltzes. Musically not that much has changed if compared to the debut album, the thing is that I find The Mephisto Waltzes a bit more mature, deliberate and consolidated album on those crucial points that made already The Great And Secret Show an outstanding record. The Mephisto Waltzes is a cracked and crazed rollercoaster ride through a twisted universe populated by grotesque monsters, deviant freaks and irresistible, ghoulish heroines.

The second offering of Devilment features nine tracks full of gothy/horror metal with a lot of creepy atmospheric soundscapes. It's a haunting and often captivatingly extreme, often with some black metal in it, but not only, there are plenty of NWOBHM and typical hard rock hooks, and all this manifests in great dynamics that The Mephisto Waltzes offers. Vocally it's seems a bit more demanding and Dani’s trademark verbal subterfuge just perfectly deals with it, and just like on the previous album, his voice if compared to Cradle Of Filth is a bit more guttural, yet deep, somehow compact and there's not that much of those sometimes silly typical shrieks and screeches, but still, fans of Dani’s work in Cradle Of Filth will find plenty to relish here. There is more use of female vocals, provided by Lauren, and where utilized it really adds a surplus and some duets are just a beauty and works out so well, like for example the catchy gothic metal tune "Full Dark, No Stars", but also the strong, dramatic, sick and virulent love song "Hitchcock Blonde", the thunderous "Under The Thunder" or the melodic yet very captivating "Entangled In Our Pride", just to name a few. On certain locations, like for example in the twisted "Dea Della Morte" the use of female vocals reminded me to the ones of Tristania from Ashes or Illumination albums.

The sound is throughout very dense and rich with many different layers and textures, there are often heard many twists and turns, and in the end all of this results in kind of a bold and unadulterated compositions that grabs you deep in your darkened soul, and yeah, that's done already with the thunderous gothy opener "Judas Stein". There are plenty of twisted melodic patterns, guitar lines are aggressive but also technical what is best and clearly heard in some intriguing leads, like for example in schizophrenic darkness of speeding punk-metal in "Shine On Sophie Moone". Pounding drums and strong rhythmic line are of course a necessary addition to make everything coherent. If compared to the debut album Devilment used this time more different keys that enriched the already deviant and grotesque atmosphere by a great deal. I was also surprised when I heard that almost generic speed metal drive in "Life Is What You Keep From The Reaper" and how nicely it blends into the whole picture. Also those melodic heavy metal riffs, like heard in "Entangled In Our Pride" or in the blackened horror rock/metal tune "Hell At My Back" are nothing but a joy listening to.

It's nice to hear and see that Devilment are becoming such an entity on its own. I know that I already said almost only good things about their debut album, but this one is certainly one step higher, it's a bolder and more divergent album that offers a lot to many types of listeners, not only to fans of Cradle Of Filth. Everything shines even more because of great production that adds another degree of heaviness to the whole thing. Devilment became with this album a wholly distinctive unholy force, with an intuitive understanding of the value of shattering every mirror and stepping through into an alternate dimension where rulebooks smoulder and hell’s gates are thrown open for an unhinged but celebratory knees-up, and certainly a genuine force to be reckoned with.

Review written by: T.V.
Rating: 8,5/10

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Album: Sideremesis EP
Release date: 19 October 2015
Label: Apathia Records

When Erdh, a French two-piece outfit, released their debut Resilient, they've been tagged as a heavier version of Depeche Mode and their sound has been compared to a variety of well-known musical acts, from Nine Inch Nails and Ulver to Type O Negative and Paradise Lost. With Sideremesis - a four track EP, which in a way serves as a bridge between Resilient and the full length in the making, - the first thing that popped inside my mind was: this is an obscure version of Hurts. The riffing, which presented itself on Resilient is gone, the pace has slowed down and the ambiances spread out through the soundscapes deeper and further. And yet again, the conclusion is the same – this is not and obscure version of Hurts. It's so much more. It's Erdh. Nicolas Pingnelain and Emmanuel Lévy, who have been a steady duet for three years now, have decided to expand their horizons and again gave us a confirmation, they know no boundaries when it comes to music. When you slide through the tunes on the EP, you get the feeling the sound created on it came so natural to them and as it was composed effortlessly. Even though it does take quite a drastic turn away from Resilient, I'm more than sure anyone who was struck by the brilliancy of it will find the comfort in Sideremesis. More to it – even if this is your first encounter with their music, you can start from here and get entranced by the wondrous world of Erdh.

Read a full review HERE