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Terra Relicta Top 20 Of 2017



01. Au Champ Des Morts
- Dans La Joie
02. Peter Bjärgö
- Animus Retinentia
03. Phallus Dei
- Black Dawn
04. Saille
- Gnosis
05. Black Anvil
- As Was
06. Heretoir
- The Circle
07. Last Leaf Down
- Bright Wide Colder
08. Bitterfeldt
- Götzen.Dämmerung
09. Elegi
- Bånsull
10. Isenordal
- Shores Of Mourning

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Steel Hook Prostheses - Calm Morbidity (2016) - Review

Band: Steel Hook Prostheses
Album title: Calm Morbidity
Release date: 28 October 2016
Label: Malignant Records

Tracklist:
01. Doused With Acid
02. Cyclopia
03. Hand Of Glory
04. The Medicus
05. Paresthesia
06. Cancer Maiden
07. Deep In The Marrow
08. Piss Prophet
09. Stranguary
10. Sulphur Drip

Steel Hook Prostheses have done it again! Over the last few years, Steel Hook Prostheses has become one of the flagship projects on Malignant Records and continue to set the bar for death industrial music even higher. Steel Hook Prostheses latest album, Calm Morbidity, takes the listener on a journey through filthy torture chambers, decrepit sanitariums, and even into the depths of some psychotic serial killer's mind. Calm Morbidity takes no prisoners, starting off with a bang, the album keeps the tensions high throughout all ten tracks.

Steel Hook Prostheses is the main project of the Texan duo, John Stillings and Larry Kerr. John Stillings should be a household name for any fan of the Malignant roster, as he seems to spend as much of his time mastering albums on Malignant as he spends on his own projects. Along with Steel Hook Prostheses, John also participates in the projects, Caduceus, Metaconqueror, and Pharoid. Larry Kerr also has his own side-projects including Habeeb and Black Moon Halo. But when these to gentlemen of darkness come together as Steel Hook Prostheses the result is always brilliantly bleak, beautifully ugly.

Listening to death industrial/ power electronics/ black ambient acts, it seems that there are a few different ways of producing an album. Some acts like to hone in on the mental condition, building walls of sound which tear at the fabric of the listeners' sanity. Alternatively, Steel Hook Prostheses seems to focus on external soundscapes. There are utterly apocalyptic soundscapes throughout Calm Morbidity, which slowly form the images of an irradiated or war torn landscape. There are voices heard throughout the album, predominately those of John Stillings, but there can also be heard other samples of female vocals seeping into the mix occasionally. On some tracks it feels as if we're on the surface of the Earth, witnessing the destruction of mankind, the end of an era. Other tracks take a more personal direction, evoking the putrid stench of the human body as it rests upon some torturous freezing cold slab of steel, deep within the confines of some mental hospital, watching as the doctor conducts his experiments upon the unwilling patient. Tracks like "Hand Of Glory" almost evoke a political sensation, as if some villainous politician stands at his podium preaching the woes of humanity as he drives us ever closer to the end-times.

In short, Calm Morbidity evokes all sorts of vile sensations and negative auras.  Steel Hook Prostheses don't let up on a single track, as the album progresses, we don't go further into the void so much as seeing it from all its various perspectives. There is no need for creating imaginary worlds, Steel Hook Prostheses seem to realize that our real world is horrific enough to suffice as a setting.

Where many death industrial acts can wear at the nerves almost immediately, inducing headaches within 5-10 minutes, Steel Hook Prostheses, much like Jarl manage to walk that tight-rope of having enough sonic brutality to send the listener into a nightmarish trance. All the while, they keep enough refinement to leave the listener on the edge of their seat and nerves, without ever pushing them over into the void. This refinement surely stems from J. Stillings veteran mastering skills.

Calm Morbidity is a brutal journey through an actively decaying world. This is not music for relaxation, these are the sounds of the end-times. Given the right mood and surroundings, this album could quite possibility win over some new fans to the death industrial genre. They have enough raw energy to entice the listeners of that bleakest genre, harsh noise wall. While, they hold enough refinement to win over fans of dark ambient who are seeking to push the boundaries of their musical tastes. The addition of J. Stillings vocals also give the album that human element that is often missing in death industrial, turning away fans of more traditional forms of music. I would highly recommend Calm Morbidity to any fan willing to witness the end of everything, one track at a time.

Written by: Michael
Rating: 8.5/10

Recommended by Terra Relicta

Band: Red Sun Revival
Album title: Identities
Release date: 19 June 2015
Label. Echozone/Ressurection Records

When the London based four piece Red Sun Revival released their debut album, Running From The Dawn, in 2012, the gothic rock fans were nothing but mesmerized and hooked by its ethereal emotional melodies, yet very personal and deeply moving songs. Then the EP named Embers brought one hell of a promising four tracks where the band showed even more matured compositional skills. With Identities the band got even more unique sound, even though the typical gothic rock elements perfected before by The Mission, Nosferatu, The Cure and Fields Of The Nephilim are present all over, but done in such kind of soundtrack-ish style, with pinch of pop like edge in some rhythmic lines, with emotions pouring out with every chord, every beat and every word, I don't believe we ever heard something alike before. Identities with all of the ten featured songs is as opposed to the debut album written not only by bands mastermind Rob Leydon, this time also bassist Panos Theodoropoulous took a part in the compositional process and the consequence are even more flowing, lush and original soundscapes, even Rob Leydon's voice has almost nothing to do anymore with Carl McCoy. In a way I can go as far and say that if later era Pink Floyd were ever going to make gothic rock then something similar could came up. Identities offers a myriad of amazing moments that flow like a tender warm breeze of the most refined darkness, thus exposing all of its beauty to the one who'll give to this release a careful listen.

Read a full review HERE