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Terra Relicta Top 20 Of 2016

01. Sweet Ermengarde - Ex Oblivione
02. Aeon Sable -
Hypaerion
03. Syberia -
Resiliency
04. October Tide -
Winged Waltz
05. Merciful Nuns -
Thelema VIII
06. Mesarthim -
Isolate
07. Todtgelichter -
Rooms
08. Ereb Altor -
Blot-Ilt-Taut
09. Mütterlein -
Orphans Of The Black Sun
10. Beseech -
My Darkness, Darkness

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Random album

The Gathering - Disclosure (2012) - Review

Band: The Gathering
Album title: Disclosure
Release date: 12 September 2012
Label: Psychonaut Records

Tracklisting:
01. Paper Waves
02. Meltdown
03. Paralyzed
04. Heroes For Ghosts
05. Gemini I
06. Missing Seasons
07. I Can See Four Miles
08. Gemini II

When Anneke Van Giersbergen decided to leave The Gathering in 2007 I assume many of us - The Gathering fans – were quite anxious to see and hear where the future of this band stands. Anneke was replaced by Silje Wergeland, who is no stranger to singing, and in 2009 the first post-Anneke album, The West Pole, was released. Unfortunately The West Pole was a bit of a letdown, as it didn’t radiate that special The Gathering vibe and I thought the band will never sound as it should. And then there came Disclosure.

The Gathering has evolved in its 23 years of existence drastically, going from death/doom metal in their early days, through gothic metal to more progressive sounds and settling somehow in a genre popularly labelled as “trip rock”. For those who don’t believe in originality, Disclosure is nothing more than The Gathering copying The Gathering. For those of us who are a bit more open minded, dare I say, Disclosure is one of the best possible combinations of elements The Gathering incorporated in their unique and ethereal style through their many years of composing music.

The brilliancy of The Gathering’s music has roots somewhere in depths of their sound; they don’t use mind-blowing guitar riffs or insane beats, but they blend all musical elements in a passionate conglomerate of melodies that can’t keep anyone cold. As their previous releases, Disclosure offers everything: the opening song "Paper Waves" is upbeat, light and bright, "Gemini I" and "Gemini II" are more obscure and melancholic, and "Meltdown" a bit more aggressive (and at this point I need to mention the intro reminds me quite a bit of Muse’s "Citizen Erased" from Origin Of Symmetry) and flirts with alternative rock.  If you are a fan of The Gathering’s works of epic length (Sand And Mercury, The Black Light District, How To Measure A Planet?) you’ll be pleased that to know that "Heroes For Ghosts" and "I Can See Four Miles" exceed 9 minutes in length and exceed in originality as well. However, there is no denying the similarity between those two songs and How To Measure A Planet? especially due to the use of electronic elements. 

Needless to say, Silje’s vocals add a special touch to Disclosure. She sounds like a siren – seductive, mesmerizing and at moments even self-destructing.  The sounds of Disclosure varies from Mandylion through How To Measure A Planet? to Souvenirs, alternative rock and gothic rock and yet remains fresh, a new step in The Gathering’s evolution. If you’re a fan of atmospheric, experimental rock this is the album you’ll definitely want to grab and hold onto.

Review written by: Ines
Rating: 8,5/10

Recommended by Terra Relicta

Band: Cradle Of Filth
Album title: Hammer Of The Witches
Release date: 10 July 2015
Label: Nuclear Blast Records

Cradle Of Filth promised to go back to their roots with this opus and they were not kidding, ok, not entirely, but that scarry gothy feeling throughout the songs is back again. In a way that's the crucial point in Hammer Of The Witches which still mantains the technical factor heard on the previous album, The Manticore & Other Horrors, on a high level, but like it or not the song structures are much more flowing and ambiance is gloomier than on a couple of previous albums. The pace of the album is for most of the time very fast and explosive, with numerous thrash metal elements, combined with typical heavy metal tradition, blasphemous blackened lines, symphonic insertions and a couple of gothic metal structures, all well balanced together into one hellish dark entity. The sound of Hammer Of The Witches is energetic, rich, dense, very dynamic, groovy and most of all it's intense. The band continues with its tradition of infusing each album with conceptual elements that embolden the songs' dramatic execution, the album's title gleefully flips the historical script, turning the tables on the gruesome witch hunts of 16th and 17th century Europe and exacting some hard-earned vengeance on behalf of all of those who suffered persecution at the hands of religious zealots during that turbulent period in history. The hammer is coming down, hard, and revenge will be sweet indeed.

Read a full review HERE