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Terra Relicta Top 20 Of 2018



01. Amorphis -
Queen Of Time
02. Dimmu Borgir -
Eonian
03. Khôrada - Salt
04. Immortal -
Northern Chaos Gods
05. MGT -
Gemini Nyte
06. Summoning -
With Doom We Come
07. Crone -
Godspeed
08. Primordial -
Exile Amongst The Ruins
09. Atrium Carceri & Herbst9 -
Ur Djupan Dal
10. Mournful Congregation -
The Incubus Of Karma

More HERE

Random album

Peter Bjärgö - Animus Retinentia (2017) - Review

Band: Peter Bjärgö 
Album title: Animus Retinentia
Release date: 1 March 2017
Label: Cyclic Law

Tracklist:
01. You Let The Light Shine Through
02. Stillhet
03. To Replace My Sadness
04. Grains
05. Where Night Is Eternal
06. As Rain Falls
07. Memories
08. Transcend Time
09. Memories II
10. From Agony
11. Sleep Dep.Loop2

Peter Bjärgö, the founder of Swedish neo-classical darkwave group Arcana (1994-present) and industrial project Sophia (1998-present) is an artist I had listened to before but only his music under the name Sophia. Not until recently did I become familiar with his solo work.

He started his solo endeavour doing a split with Gustaf Hildebrand called Out Of The Darkening Light, Into The Bright Shadow in 2005. Starting off, I listened to his first solo album from 2009, A Wave Of Bitterness, suitably in the dark and was already awestruck by the talent of this man, from the piano to the heartfelt, mournful lyrics and vocals.

Then his next album released on Cyclic Law, which is his most noticed, and his masterpiece in my opinion, which totally grew on me, The Architecture of Melancholy from 2011, on which he outdid himself. I thought to myself: How can this man get any better at his craft? How can he make another masterpiece like this?

My many questions were answered with twice the power I expected. This is better, in my opinion, than any of his other solo works. He seems to use music as an outlet for his inner struggle and sorrows and it is clear even just looking at the name of songs like "To Replace My Sadness", and "From Agony".

This new album, of which I speak, entitled Animus Retinentia, Latin for ‘Keeping in mind’, starts off with his signature sorrowful piano melodies. They leave you to slink back into wherever you are sitting and viewing the world around you through a grey filter.

Ritualistic drum beats and an acoustic guitar with melodies that are enough to leave you in tears enter your surrounding, whilst Peter's deep vocals could lull you into a place from your past that you miss or things you wish that would heal. Peter Bjärgö’s voice reminds me a bit of Peter Steele from Type O Negative, and complements the music very well.

Peter Bjärgö has created his finest solo effort to date, and my favorite album so far this year. I will surely be following this artist closely. I highly recommend listening to his solo works, as they are his most personal and beautiful. This album will take you on a ride through grey heavens and some victory over the sadness towards the end.

Written by: Tom Necklen
Rating: 9/10

Recommended by Terra Relicta

Band: Cradle Of Filth
Album title: Hammer Of The Witches
Release date: 10 July 2015
Label: Nuclear Blast Records

Cradle Of Filth promised to go back to their roots with this opus and they were not kidding, ok, not entirely, but that scarry gothy feeling throughout the songs is back again. In a way that's the crucial point in Hammer Of The Witches which still mantains the technical factor heard on the previous album, The Manticore & Other Horrors, on a high level, but like it or not the song structures are much more flowing and ambiance is gloomier than on a couple of previous albums. The pace of the album is for most of the time very fast and explosive, with numerous thrash metal elements, combined with typical heavy metal tradition, blasphemous blackened lines, symphonic insertions and a couple of gothic metal structures, all well balanced together into one hellish dark entity. The sound of Hammer Of The Witches is energetic, rich, dense, very dynamic, groovy and most of all it's intense. The band continues with its tradition of infusing each album with conceptual elements that embolden the songs' dramatic execution, the album's title gleefully flips the historical script, turning the tables on the gruesome witch hunts of 16th and 17th century Europe and exacting some hard-earned vengeance on behalf of all of those who suffered persecution at the hands of religious zealots during that turbulent period in history. The hammer is coming down, hard, and revenge will be sweet indeed.

Read a full review HERE