Italian electro‑rock/post‑punk outfit Design breaks a decade of studio silence with “Red Dragon”, the first single and video from their forthcoming album Faithless, which will be released later this year via Overdub Recordings. The track immediately reasserts the band’s identity with a fierce, uncompromising statement that lays bare the album’s thematic core.
“Red Dragon” paints an apocalyptic vision where biblical imagery collides with modern ruin. Burning plastic, collapsing structures and lakes of tears form a symbolic landscape of moral decay. The maternal figure in the lyrics adds fragility and confusion, while the refrain “we reap what we sow” anchors the song’s message: humanity is facing the consequences of its own corruption. The dragon itself is less a creature than a manifestation of the darkness humans have created.
Musically, the single taps into Design’s harshest edge — a fusion of alternative rock grit, post‑punk tension and darkwave atmosphere. Sharp, repetitive guitar lines lock into a relentless rhythm section, while a deep, throbbing bass bridges rock aggression with electronic pulse. The production favours clarity and pressure over excess, echoing the radical energy of Primal Scream’s XTRMNTR era while remaining unmistakably Design.
Visually, the single introduces one of Faithless’ central motifs: marble. Scarred, fractured blocks appear in a stark, dehumanised space, their glowing red veins suggesting artificial wounds. The dragon never appears directly; instead, its presence is implied as a threat embedded in the material world itself.
Directed by Giorgio Mascio and filmed at the Loop Live Club in Osimo, Italy, the video brings Design back to their natural environment — the stage. The performance is stripped down and intense, intercut with symbolic imagery: falling bombs, broken maps and a slowly emerging digital dragon. Bathed in red light, the visuals build tension until sound and image collapse into a final, cathartic release.
Design comment: “'Red Dragon' is an apocalyptic vision of humanity corrupted by greed and violence. Through biblical imagery and contemporary devastation, the song portrays a world forced to reap what it has sown.” Link

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"I'm quite obsessive, and when I work on music, I can overwork and get myself in trouble. I always had a breakdown when I finished an album, because I drove myself to the brink." - Mick Moss
"For my sake, I could just stop playing the old stuff, but on the other hand, I know that our fans want it." - Anders Kobro
"You know, the music and songs just come, and we don't distance ourselves from the music that comes out." - Jyrki 69
"When you feel something you need to share, creating songs is the best way to do it. You can reflect on yourself so that you can relax and be relieved of that emotion." - Çağla Güleray
