Italian electro‑rock/post‑punk outfit Design breaks a decade of studio silence with “Red Dragon”, the first single and video from their forthcoming album Faithless, which will be released later this year via Overdub Recordings. The track immediately reasserts the band’s identity with a fierce, uncompromising statement that lays bare the album’s thematic core.
“Red Dragon” paints an apocalyptic vision where biblical imagery collides with modern ruin. Burning plastic, collapsing structures and lakes of tears form a symbolic landscape of moral decay. The maternal figure in the lyrics adds fragility and confusion, while the refrain “we reap what we sow” anchors the song’s message: humanity is facing the consequences of its own corruption. The dragon itself is less a creature than a manifestation of the darkness humans have created.
Musically, the single taps into Design’s harshest edge — a fusion of alternative rock grit, post‑punk tension and darkwave atmosphere. Sharp, repetitive guitar lines lock into a relentless rhythm section, while a deep, throbbing bass bridges rock aggression with electronic pulse. The production favours clarity and pressure over excess, echoing the radical energy of Primal Scream’s XTRMNTR era while remaining unmistakably Design.
Visually, the single introduces one of Faithless’ central motifs: marble. Scarred, fractured blocks appear in a stark, dehumanised space, their glowing red veins suggesting artificial wounds. The dragon never appears directly; instead, its presence is implied as a threat embedded in the material world itself.
Directed by Giorgio Mascio and filmed at the Loop Live Club in Osimo, Italy, the video brings Design back to their natural environment — the stage. The performance is stripped down and intense, intercut with symbolic imagery: falling bombs, broken maps and a slowly emerging digital dragon. Bathed in red light, the visuals build tension until sound and image collapse into a final, cathartic release.
Design comment: “'Red Dragon' is an apocalyptic vision of humanity corrupted by greed and violence. Through biblical imagery and contemporary devastation, the song portrays a world forced to reap what it has sown.” Link
With only days to go before the arrival of Forest Of Forgetting, Eye Of Melian unveils one final preview of the forthcoming album. The new single, "Dawn Of Avatars", features Troy Donockley...
Black metal entity Doedsvangr have presented the first strike, "Black Sun Dissolution", from their forthcoming full-length, Within The Flesh, due on 10 April through their new label home,...
Norway's Slagmaur have unveiled a lyric video for "Hexen Herjer" ("Witch Raid") as the next advance single from their forthcoming full-length Hulders Ritual, chalked up for release on...
Portuguese gothic metal veterans Heavenwood return today with a new and evocative single, “The Moon”, offering the first sonic glimpse into their forthcoming album The Tarot Of The...
"We go searching for sounds and ideas within ourselves and there in our dreams, in the moments when 'we are not here'." - Elena Alice Fossi
"With Hypocrisy, I'm very "home", but with Pain, it's an adventure, just like going into the jungle only with a knife and no glass of water and trying to survive." - Peter Tägtgren
"There's much more detail in our music now than 20 years ago. It's also much easier nowadays because you can do many things at home." - Morten Lybecker
"I always wanted to express my emotions with my music, and this is what I do. And I think true music lovers feel when music is coming from the heart." - Tilo Wolff
