TERRA RELICTA COMPILATIONS
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SUNSWARM - Shares "Inside The Torn Apart"
An offering of sonic juxtapositions awaits in "Inside The Torn Apart", the new single from industrial post‑metal duo Sunswarm. The track explores fleeting moments of calm amidst thundering... -
RÉSONANCE MAGNÉTIQUE - Presents "atomic mass unit"
France's Résonance Magnétique, the dark electro/industrial noise project of Ludovic Dhenry, establishes its latest raw structural framework with a new instalment, "atomic mass unit"... -
FEN - Cuts Another Piece From Elemental Part One: Mourning Earth
East Anglian post‑black metal outfit Fen have served another advance track from their forthcoming opus, Elemental Part One: Mourning Earth, poised to see the light of day on 21 August... -
HER OWN WORLD - Unveils Seductive New Single And Video “Like A Moth”
Poland’s industrial rock/dark pop outfit Her Own World returns with a haunting new single and video, “Like A Moth” — a track that dives deep into the perilous allure of temptation and...
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IN THE WOODS...
"For my sake, I could just stop playing the old stuff, but on the other hand, I know that our fans want it." - Anders Kobro -
THERION
"There were already bands doing small illustrations of symphonic metal, and I was thinking, why doesn't someone do this all the time?" - Christofer Johnsson -
EXTIZE
"When I make a song, I know I could do it better, but I'm happy with it. It doesn't have to be perfect, and I like it when it's not. That's why I can make it that way." - Rapha Hell -
HIGH PARASITE
"It's about humans; we are the high parasites. We feast on the earth and on all the things that the earth gives us. We don't just take a little bit, we take everything." - Aaron Stainthorpe
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![Liv Kristine - Deus Ex Machina [Re-Release]](/images/Albums/REVIEWS/livkristine_deusexmachina.jpg#joomlaImage://local-images/Albums/REVIEWS/livkristine_deusexmachina.jpg?width=1200&height=1200)







"The speech that they hate is my speech, but my speech is not a hate speech. What can you do? You can just mirror/reflect them - hopefully, they will see how grotesque..." - Dero Goi

Terra Relicta, the dark music online magazine and radio, proudly presents its ninth compilation – Five Years Under, created in celebration of the fifth anniversary of Terra Relicta Radio.
Dark‑pop act Hunter As A Horse (HAAH) have issued their debut full‑length record, Paradise Lost, out now by way of Metropolis Records, and have shared the video for the title track.
Italian darkwave/post‑punk newcomers The Autumn Aurora unveil their second single, “False Idols”, accompanied by an official music video. The track is taken from the band’s forthcoming...
Belarusian post‑black metal visionaries Dymna Lotva have released their striking and deeply symbolic new music video, “Return My Coffin Home”, a work that cuts straight to the heart of...
Irish synth‑pop/darkwave duo mischa and the bear return with a fierce new single, “Evil” — the lead track from their forthcoming EP True Colours, set to arrive in August. Blending...
Buffalo’s (USA) rising dark alternative force Cemetery Echo return with “Hell Night,” the third single from their forthcoming debut full‑length Civitas Lacrimarum (“City of Tears”)...
The masterful blend of post‑punk rawness, melancholic darkwave, gothic atmosphere, and pulsating electro energy works exceptionally well live. Ash Code’s extensive stage experience is evident; even without excessive interaction, a magnetic connection forms...
It was already around midnight when NNHMN stepped on stage. Despite some initial sound issues, they quickly captivated the now sizeable audience with their danceable yet icy darkwave and coldwave, infused with touches of techno and dark pop. Their performance...
There was a sense of excitement and anticipation in the air as fans of all ages lined up outside the legendary Crocodile venue in Seattle on the evening of 4 April. The Sleepless Empire tour had descended. With supporting acts VOWWS and Escape The Fate in tow.
IAMX delivered a fantastic show. Jon, sometimes masked and sometimes not, was superb on drums, the interactions between Chris and Gözde added a sensual layer to the performance, and Chris is, in himself, an "artistic‑energetic" entity who naturally draws the eye.
We had witnessed an unusual, dynamic, emotionally charged and thoroughly excellent concert by one of Europe's most distinctive electro/synth‑pop/industrial/darkwave acts, Kirlian Camera. It wasn't an impeccable show, but it was emotionally raw—and still stellar.









