TERRA RELICTA COMPILATIONS
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THE NOCTAMBULANT - Drops "Skeleton Key" From Revival
Following their recent signing with Terminus Hate City, Southern gothic‑infused blackened death metal outfit The Noctambulant have offered the first track, "Skeleton Key", from their... -
DEGHERL - Unveils “Nicht Nur” — A Sharp, Seductive Cut Of Post‑Punk Minimalism
Bologna (Italy)‑based post‑punk/darkwave act DegHerl return with a striking new single and video, “Nicht Nur”, the first preview of their upcoming album due in early October. A long... -
RADARFIELD - Releases New Single “Cocoon” — A Luminous Descent Into Transformation
German dark electronic act Radarfield unveil their brand‑new single “Cocoon”, a track that drifts between atmospheric electronics, cinematic tension and the sleek, modern contours of... -
THE AWAKENING - Shares Emotional First Glimpse Of The Lost Theatre With “Until The Dawn”
South African gothic rock/darkwave institution The Awakening have released the first single and official video from their forthcoming thirteenth studio album, The Lost Theatre, due out...
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BOSCO SACRO
"I can say that when I play with Bosco Sacro, I'm in total trans. When I play on a stage, I go into another world." - Luca Scotti -
DOOL
"It's not only about me; everybody deals with identity in a way because the world is asking so much of you all the time. You need to relate to..." - Raven van Dorst -
CARPENTER BRUT
"Goth people want to have fun sometimes too. I guess if your listening time is 99% dark, sad songs or evil black metal songs, sometimes you want 1% joy, and here I come." - Franck Hueso -
EXTIZE
"When I make a song, I know I could do it better, but I'm happy with it. It doesn't have to be perfect, and I like it when it's not. That's why I can make it that way." - Rapha Hell
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![Choke Chain - Decomposition [EP]](/images/Albums/REVIEWS/chokechain_decomposition.jpg#joomlaImage://local-images/Albums/REVIEWS/chokechain_decomposition.jpg?width=1200&height=1200)




























![Liv Kristine - Deus Ex Machina [Re-Release]](/images/Albums/REVIEWS/livkristine_deusexmachina.jpg#joomlaImage://local-images/Albums/REVIEWS/livkristine_deusexmachina.jpg?width=1200&height=1200)







"The speech that they hate is my speech, but my speech is not a hate speech. What can you do? You can just mirror/reflect them - hopefully, they will see how grotesque..." - Dero Goi

Terra Relicta, the dark music online magazine and radio, proudly presents its ninth compilation – Five Years Under, created in celebration of the fifth anniversary of Terra Relicta Radio.
Rebecca Vernon (SubRosa) returns with her second album under The Keening banner. Titled Devotion, the record arrives on 16 October via Relapse Records, accompanied by the haunting new...
Pioneering electronic dance act Lords Of Acid have shared another piece, "Ich Will Nur Das" (lit. I Just Want), taken from their forthcoming record Mundo Bizarro, scheduled to arrive...
German black/doom metal entity The Aeons Torn unveil their second video track, "Echoes Of The Darkspace", taken from their upcoming album Void Artefakkts, due for digital and vinyl...
Colorado (USA)-based post‑punk/shoegaze duo A Shoreline Dream enters its twentieth year with “20”, a dark, introspective single that reflects on distance travelled and the uncertain...
Black metal formation Servant have offered a new video single, "De Profundis". The track features Lethian of Nornír and is the third to be revealed from the band's approaching fourth...
The masterful blend of post‑punk rawness, melancholic darkwave, gothic atmosphere, and pulsating electro energy works exceptionally well live. Ash Code’s extensive stage experience is evident; even without excessive interaction, a magnetic connection forms...
It was already around midnight when NNHMN stepped on stage. Despite some initial sound issues, they quickly captivated the now sizeable audience with their danceable yet icy darkwave and coldwave, infused with touches of techno and dark pop. Their performance...
There was a sense of excitement and anticipation in the air as fans of all ages lined up outside the legendary Crocodile venue in Seattle on the evening of 4 April. The Sleepless Empire tour had descended. With supporting acts VOWWS and Escape The Fate in tow.
IAMX delivered a fantastic show. Jon, sometimes masked and sometimes not, was superb on drums, the interactions between Chris and Gözde added a sensual layer to the performance, and Chris is, in himself, an "artistic‑energetic" entity who naturally draws the eye.
We had witnessed an unusual, dynamic, emotionally charged and thoroughly excellent concert by one of Europe's most distinctive electro/synth‑pop/industrial/darkwave acts, Kirlian Camera. It wasn't an impeccable show, but it was emotionally raw—and still stellar.









