TERRA RELICTA COMPILATIONS
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THY SANATORIUM - Puts Out A-Ha's "Take On Me" Cover
Following the release of their self‑titled debut album this April, the anonymous multi‑national ensemble Thy Sanatorium return with a reimagined rendition of A‑Ha's iconic 1985 track... -
CHOKE CHAIN - Releases Decomposition
US dark industrial act Choke Chain have unveiled their new studio effort, Decomposition, released under Negative Gain Productions on CD, vinyl, and digital formats. -
PETER MURPHY - Drops Magic Wands' Remix Of "Swoon"
Original post‑punk icon Peter Murphy first issued "Swoon" in February 2025 as the lead single cut from Silver Shade, his widely acclaimed eleventh long‑player, which was released three... -
ELYSION - Announces New Album Identity And Reveals Powerful First Single “Guardian Angel”
Two decades after their formation, Greek dark/gothic/atmospheric metal ensemble Elysion return with what promises to be their most ambitious and emotionally resonant chapter yet. The Band...
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IN THE WOODS...
"For my sake, I could just stop playing the old stuff, but on the other hand, I know that our fans want it." - Anders Kobro -
DEATHSTARS
"You can see it in social media, in the world, with the wars going on, and I think it's an appropriate title for an album." - Skinny Disco -
PAIN
"With Hypocrisy, I'm very "home", but with Pain, it's an adventure, just like going into the jungle only with a knife and no glass of water and trying to survive." - Peter Tägtgren -
EXTIZE
"When I make a song, I know I could do it better, but I'm happy with it. It doesn't have to be perfect, and I like it when it's not. That's why I can make it that way." - Rapha Hell
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![Liv Kristine - Deus Ex Machina [Re-Release]](/images/Albums/REVIEWS/livkristine_deusexmachina.jpg#joomlaImage://local-images/Albums/REVIEWS/livkristine_deusexmachina.jpg?width=1200&height=1200)







"The speech that they hate is my speech, but my speech is not a hate speech. What can you do? You can just mirror/reflect them - hopefully, they will see how grotesque..." - Dero Goi

Terra Relicta, the dark music online magazine and radio, proudly presents its ninth compilation – Five Years Under, created in celebration of the fifth anniversary of Terra Relicta Radio.
Swiss symphonic metal ensemble Deep Sun have present "The Window - Live", the first cut taken from their upcoming debut live record Vollständiges Live-Album. Captured on 28 March 2026...
Berlin‑based trio Dina Summer — the supergroup formed by Greek‑German duo Local Suicide and Bavarian producer Kalipo (Frittenbude) — return with their sleek new single and video...
Austrian dark post‑rock/post‑metal collective Our Ceasing Voice present their new single and official video “The Man You Wanted Me To Be”, alongside full details of their long‑awaited...
Italian melancholic dark/doom metal force Shores Of Null return with their most ambitious work yet. The new album Homesick arrives on 16 October via Dusktone, marking another defining...
Polish modern dark‑pop witch Agnis returns with Gothess Remixes, a ritual reborn for the club and reimagined through the hands of her darkTunes coven. The release gathers 10 remixes...
The masterful blend of post‑punk rawness, melancholic darkwave, gothic atmosphere, and pulsating electro energy works exceptionally well live. Ash Code’s extensive stage experience is evident; even without excessive interaction, a magnetic connection forms...
It was already around midnight when NNHMN stepped on stage. Despite some initial sound issues, they quickly captivated the now sizeable audience with their danceable yet icy darkwave and coldwave, infused with touches of techno and dark pop. Their performance...
There was a sense of excitement and anticipation in the air as fans of all ages lined up outside the legendary Crocodile venue in Seattle on the evening of 4 April. The Sleepless Empire tour had descended. With supporting acts VOWWS and Escape The Fate in tow.
IAMX delivered a fantastic show. Jon, sometimes masked and sometimes not, was superb on drums, the interactions between Chris and Gözde added a sensual layer to the performance, and Chris is, in himself, an "artistic‑energetic" entity who naturally draws the eye.
We had witnessed an unusual, dynamic, emotionally charged and thoroughly excellent concert by one of Europe's most distinctive electro/synth‑pop/industrial/darkwave acts, Kirlian Camera. It wasn't an impeccable show, but it was emotionally raw—and still stellar.









