TERRA RELICTA COMPILATIONS
-
HUNTER AS A HORSE - Drops Fourth Track From Paradise Lost
Hunter As A Horse have put out the fourth piece, "Obey", from their forthcoming album Paradise Lost, due on 24 July under the banner of Metropolis Records. -
I YA TOYAH - Unleashes Provocative New Single “Apology”
Fresh off a successful European tour with Front Line Assembly, USA‑based industrial darkwave artist I Ya Toyah returns with “Apology”, the fierce follow‑up to May’s single “Feelings”. -
DYMNA LOTVA - Unveils Powerful And Mystical New Video “Return My Coffin Home” Featuring Ingvarr (Schreigarm)
Belarusian post‑black metal visionaries Dymna Lotva have released their striking and deeply symbolic new music video, “Return My Coffin Home”, a work that cuts straight to the heart of... -
OUR CEASING VOICE - Returns With "Diamond Eyes"
Austrian post‑rock/post‑metal collective Our Ceasing Voice have revealed "Diamond Eyes", their first new track since 2017 and the opening chapter of a renewed creative era. The song...
-
TACHION-X
"With this approach, we're in the minority nowadays, but it's precisely this niche and the emotions that were..." - Arkadiusz Wachowicz -
NNHMN
"We're fucking vampires, you know? The desire to stay young forever is always there. But alienation — that definitely comes from being a non‑human person." - Lee Margot -
MARTIN SAINT
"Art isn't meant to always be pretty and make us feel comfortable and good about ourselves. I'm not afraid to broach difficult emotions and to express the beautiful ones too." - Martin Saint -
PRIMORDIAL
"I'm sort of asking questions - where are the heroes? Where's the defiance? Where are the people who oppose this?" - Alan "Nemtheanga" Averill
Copyright © All Rights Reserved. Powered by Terra Relicta






















![Choke Chain - Decomposition [EP]](/images/Albums/REVIEWS/chokechain_decomposition.jpg#joomlaImage://local-images/Albums/REVIEWS/chokechain_decomposition.jpg?width=1200&height=1200)




























![Liv Kristine - Deus Ex Machina [Re-Release]](/images/Albums/REVIEWS/livkristine_deusexmachina.jpg#joomlaImage://local-images/Albums/REVIEWS/livkristine_deusexmachina.jpg?width=1200&height=1200)







"The speech that they hate is my speech, but my speech is not a hate speech. What can you do? You can just mirror/reflect them - hopefully, they will see how grotesque..." - Dero Goi

Terra Relicta, the dark music online magazine and radio, proudly presents its ninth compilation – Five Years Under, created in celebration of the fifth anniversary of Terra Relicta Radio.
French modern/industrial metal visionaries Heartlay return with “Medicate”, a heavy yet melodic new single that exposes a darker, more atmospheric facet of the band’s sound. Built on...
Corlyx continue their streak of guitar‑driven singles rooted in 80s and 90s goth subculture with “Your Heart In The Serpent’s Mouth” — a dream‑pop‑meets‑doom‑gothic‑rock piece that...
Swedish symphonic extreme‑metal visionaries Zornheym present their third single, “The Funeral March”, taken from the band’s forthcoming studio album Descending Into Madness, arriving...
Indianapolis melodic doom‑death outfit Mother Of Graves have announced their new full‑length, The Light That Keeps Us, set for release on 16 October via Profound Lore Records. The first...
Industrial pioneers Ministry have unveiled a brand new single and video, “We Hate”, offering another fierce preview of their upcoming and final studio album Hate To Go (Take Out Or...
The masterful blend of post‑punk rawness, melancholic darkwave, gothic atmosphere, and pulsating electro energy works exceptionally well live. Ash Code’s extensive stage experience is evident; even without excessive interaction, a magnetic connection forms...
It was already around midnight when NNHMN stepped on stage. Despite some initial sound issues, they quickly captivated the now sizeable audience with their danceable yet icy darkwave and coldwave, infused with touches of techno and dark pop. Their performance...
There was a sense of excitement and anticipation in the air as fans of all ages lined up outside the legendary Crocodile venue in Seattle on the evening of 4 April. The Sleepless Empire tour had descended. With supporting acts VOWWS and Escape The Fate in tow.
IAMX delivered a fantastic show. Jon, sometimes masked and sometimes not, was superb on drums, the interactions between Chris and Gözde added a sensual layer to the performance, and Chris is, in himself, an "artistic‑energetic" entity who naturally draws the eye.
We had witnessed an unusual, dynamic, emotionally charged and thoroughly excellent concert by one of Europe's most distinctive electro/synth‑pop/industrial/darkwave acts, Kirlian Camera. It wasn't an impeccable show, but it was emotionally raw—and still stellar.









