Finnish black metallers Flame have put out the second piece, "Spellfire", from their impending third album, Ignis Draconis Daemonicus, slated for release on 25 September via Primitive Reaction.
Formed in 1998 in Kuopio Rock City by former members of Barathrum and Urn, Flame quickly forged a distinct identity. Their debut full‑length, Into The Age Of Fire (2005), showcased the band's iron‑fisted, triumphant blackthrash—equal parts ancient savagery and bestial metal—long before such idioms regained fashion. Six years later, the second record, March Into Firelands, proved Flame's conflagration remained potent: dynamic, headbanging, rooted in tradition yet never derivative. Then came silence.
But Flame's fire never dies. Their return with 2020's Ignis Spiritus mini‑album—released to widespread acclaim through Primitive Reaction—rekindled the blaze. Now, the Finns strike again with their eagerly anticipated third album, Ignis Draconis Daemonicus. Sharing thematic lineage with its predecessor, the new opus expands both musically and lyrically. It is unmistakably Flame: the grime and grandeur of their early works fused with the atmospheric elevation introduced on Ignis Spiritus. The result is poised, confident, and proudly incendiary.
The album title translates from Latin as "Fire of Demonic/Daemonic Dragon" reflecting themes of "true will", "inner power", and "magickal transformation". Founding vocalist/guitarist Blackvenom guides Flame's evolved lyrical direction, shifting from blasphemous early‑era ferocity to poetry rooted in occult and esoteric traditions—Thelema, Typhonian/Draconian currents, Chaos Magick, Luciferian philosophy. These writings mirror his own spiritual awakening over the past decade, marking Flame as an eternal force.
Sound design on Ignis Draconis Daemonicus is of particular note. Blackvenom explains: "We set our bar high for this album to sound the strongest, heaviest, and at same time as dynamic as possible so far. We were fascinated about soundscapes at Priory Recording Studios in the UK after we heard Adorior's latest Bleed On My Teeth, and we wanted studio owner Greg Chandler (Esoteric) doing mixing for us, too. Using Greg wasn't the cheapest option, so Chris Nunravager (ex-Adorior, recorded the album at his Rat Nest Recording studio) put up his own label, Acid Orgy Records, and teamed up with Primitive Reaction to share the mixing and mastering costs. Greg did a fantastic job! He created the perfect soundscapes that combine heaviness, rawness, and epic atmospheres, but still keeping our overall sound rooted in the underground spirit!"
Totalling nine new hymns of thrashing black‑magick steel (plus an atmospheric intro), Ignis Draconis Daemonicus offers a 47‑minute gateway into occult realms. Flame carry listeners on dragon wings—ever-Finnish warriors of mighty Satan's horde. Link

Ignis Draconis Daemonicus tracklist:
01. Kaosphere
02. Spellfire
03. Black Flames Divination
04. Mystical Voice of My Demon Master
05. Rising Crimson Desert Storm
06. Sethanic Sorcery
07. Deification (The Serpent's Promise)
08. Pure Damnation's Ecstacy
09. The Void
10. Ignis Draconis Daemonicus

Arthur Brown has dropped "With A Tear", the final advanced video single from his new body of work, Nature, created in close collaboration with Dan Smith. The new composition arrives by...
Italian melodic dark/doom metal force Shores Of Null present “Son Of The Tide”, the second glimpse into their forthcoming album Homesick, set for release on 16 October via Dusktone...
The pioneering electro‑industrial provocateurs Lords Of Acid have unleashed their third single of 2026, the deliriously catchy “El Mundo Está Loco” (“The World Is Crazy”). Fusing infectious...
King Satan kick off the summer by gleefully corrupting a pop institution: Britney Spears' iconic "(You Drive Me) Crazy". The 90s earworm is rebuilt as an explosive industrial party‑metal...
"When I found the goth scene and the music and everything around it, I slowly started to find my true self again. I'm fascinated by Satanism - not because I worship Satan..." - Gözde Duzer
"We paused our work as I was grieving heavily, but once we returned to it, things took on a whole new meaning." - LV Darkling
"It would be an exciting thing to be a part of the fourth The Sisters Of Mercy album. I think my role has changed in the last few years." - Ben Christo
"I find it really bizarre, because right after the concert, you're already on the internet. I mean, come on. It's very different from how it used to be, but it's fine." - Anja Huwe
