Dutch blackened death metal outfit Misanthropia has unleashed its latest macabre masterpiece with a video for "River Dumplings", a track from its critically acclaimed album, Envy The Dead, out on 6 September via Wormholedeath.
In true Misanthropia style, this grim tale weaves through history's darkest corners, unravelling the sinister story of Amelia Dyer, the notorious Victorian-era "baby farmer".
In the shadowy corners of Victorian England, darkness didn't only lurk in the city's damp dungeons or hidden sewers. Even the quiet villages concealed unspeakable horrors. One such darkness came in the form of Amelia Dyer, a trained nurse who twisted the trust placed in her. For 30 years, Dyer preyed upon society's most vulnerable infants. Paid to care for them, she instead let hundreds perish from malnutrition, neglect, and worse. When their lives were snuffed out, they were wrapped tightly, as if in a grim ritual, and tossed into rivers like discarded parcels. Strangled by white cords, these "bundles of joy" floated in canals and bays, victims of a system and a woman who should have protected them. What awaited these children was not just humanity's apathy but perhaps something darker. Lurking in the waters were monstrous beings-figures that weren't entirely human. Were they the twisted manifestation of Dyer's evil or something else? Not all monsters wear men's faces; some wear the guise of women.
For more regarding Misanthropia's Envy The Dead, follow HEREs. Link


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"With Hypocrisy, I'm very "home", but with Pain, it's an adventure, just like going into the jungle only with a knife and no glass of water and trying to survive." - Peter Tägtgren
"Within this darkness, where there's no light at all, the golden raven still shines. It's not like a perfectly cut statue of Michelangelo..." - Val Perun
"When I make a song, I know I could do it better, but I'm happy with it. It doesn't have to be perfect, and I like it when it's not. That's why I can make it that way." - Rapha Hell
"I'm quite obsessive, and when I work on music, I can overwork and get myself in trouble. I always had a breakdown when I finished an album, because I drove myself to the brink." - Mick Moss
