Following the recent announcement of its signing to Negative Gain Productions, industrial/electro project CTRL CLICK has unveiled full details of its highly anticipated debut album, Systems For Disassembly. Set for release on 6 November, the album promises a relentless fusion of industrial aggression, electronic precision, and sharp social commentary. Accompanying the announcement is the project's newly released single and video, "Angel Of Death".

A dark and unsettling industrial anthem, "Angel Of Death" explores the liminal space between life and death, where flesh collides with machinery and fear gradually gives way to acceptance. Drawing inspiration from the raw mechanical spirit of classic industrial music while embracing a contemporary production approach, the track confronts themes of mortality, isolation, and the indifferent systems that shape and govern modern existence.

With Systems For Disassembly, CTRL CLICK establishes itself as a project dedicated to analysing, dismantling, and reimagining the world through an uncompromising sonic lens. Rather than telling a linear story, the fourteen-track album inhabits a shared universe where hospital corridors intersect with server farms, corporate meetings bleed into shadowy backstreets, and the sterile glow of pharmacies merges with the persistent hum of supermarkets.

Throughout the record, CTRL CLICK examines the increasingly complex relationship between humanity and the systems designed to organise, monitor, and profit from it. Themes of technology, conformity, mortality, addiction, and corporate culture permeate the album, all orbiting a central question: how does one remain human in a world determined to classify, measure, medicate, and monetise every aspect of existence?

The album offers no easy answers. Instead, it presents a series of vivid and often unsettling reflections on contemporary life. On "Our God", divinity resides within a cooling tower, omniscient and armed with passwords long forgotten. "Good As Dead" portrays a body suspended between survival and collapse, still reporting for work and paying rent despite barely remaining functional. "Insolent" rejects compliance and turns its defiance towards biometric control and digital surveillance, while album closer "(Kill) The Vampire" delivers a final twist, forcing the narrator to confront their own complicity and transformation within the very systems they seek to oppose.

Watch the video for "Angel Of Death" below and prepare for the arrival of Systems For Disassembly on 6 November. Link