The USA-based industrial metal project Derision Cult released a new single, "Warning Signs (JKFleshmix)", a high-octane industrial rockabilly anthem reworked by none other than Justin Broadrick, the legendary mind behind Godflesh and Jesu. The track comes from the EP, Mercenary Notes Pt 2, set for release on 14 March 2025, via Glitchmode Recordings.
Justin Broadrick, renowned for his innovative approach to soundscapes, brings an electrifying energy to "Warning Signs". His previous collaboration with Derision Cult—on the horror-themed mix of "Slaves Rebuild"—garnered widespread acclaim. This latest endeavour pushes boundaries even further, blending jackhammer guitars, thunderous beats, and spoken-word vocals into an unrelenting sonic assault.
Lyrically, "Warning Signs" serves as both a wake-up call and a reflection on the cultural and societal tipping points we face. The haunting chorus, "Is it getting real enough yet?", is inspired by an unforgettable real-life moment. Dave McAnally, the mastermind behind Derision Cult, draws from a story shared by his brother, a Naval EOD officer. Witnessing the harsh realities of war, a Navy SEAL's biting remark to a shaken Hollywood director served as a raw and chilling foundation for the song's themes.
The previously released single, "Radiation Blues", featuring Reeves Gabrels, can be found over HERE. Now, give a listen to the "Warning Signs (JKFleshmix)". Link

Norwegian symphonic black metal entity Profane Burial have revealed a new track, "Triumph Of Dreadful Aftermath", serving as the first introduction to their forthcoming full‑length...
Norway's artist Mortiis has shared a beautiful three‑track digital EP, inspired by and named after the song "Farewell Romero" from his latest record Ghosts Of Europa, released in June...
Celebrated British post‑punk legends Chameleons (formerly The Chameleons) will play their final festival appearance of the summer on 23 August, delivering a mainstage set at Beautiful...
King Satan kick off the summer by gleefully corrupting a pop institution: Britney Spears' iconic "(You Drive Me) Crazy". The 90s earworm is rebuilt as an explosive industrial party‑metal...
"You can see it in social media, in the world, with the wars going on, and I think it's an appropriate title for an album." - Skinny Disco
"I'm quite obsessive, and when I work on music, I can overwork and get myself in trouble. I always had a breakdown when I finished an album, because I drove myself to the brink." - Mick Moss
"This time we're trying not to complicate things too much. We want to have a simple message, but that doesn't mean there will be fewer arrangements or less songwriting..." - Pedro Paixão
"I hope that through our music and our words, people can feel that connection between us and them, and feel a little bit better — or at least less alone." - Alessandro Belluccio
