Polish‑born, France‑based artist Dorrr has released Ganbaru, a new EP that marks a striking evolution in her sound—leaner, more intimate, and steeped in raw emotional tension. Known for blending vulnerability with sleek, shadow‑lit pop textures, she now pushes further into a world of pulsing synths, cinematic atmospheres and stripped‑back songwriting. The EP also features a dark‑pop reinterpretation of her 2025 single “Lonely Sun” by Leeds duo Scenius, who bring their signature electronic edge to one of Dorrr’s most personal themes.
The title Ganbaru comes from the Japanese concept of persevering with full commitment despite fear, exhaustion or uncertainty. That spirit runs through the entire record. Dorrr channels a period of profound personal upheaval, following the dissolution of The Blind Suns, the surf‑rock duo she fronted for years and with whom she performed over 120 shows internationally. “After my band split up—it was such a huge part of my life—I felt completely empty and thought I’d lost the spark forever. But a series of events pushed me to move forward and slowly relearn how to believe in myself,” she says.
This emotional reset shapes the EP’s core themes: isolation, self‑acceptance, the need for recognition, and the quiet resilience required to keep going. The Scenius rework of “Lonely Sun” leans into these ideas, reframing the song’s central metaphor of the sun as a symbol of women’s desire to be seen—still shining even when ignored.
Across the EP, Dorrr steps decisively away from the dream‑pop haze of her earlier work. With producer Moon Pilot, she embraces a more direct vocal presence and a sharper sonic palette. “I felt the need to explore new sounds and approach writing differently. I wanted to ditch the reverb, put the guitar down a bit, and really step into my role as a lead singer,” she explains. The result is a collection of songs that feel both fragile and luminous, carried by a bright melancholy that never fully extinguishes its inner glow.
Among the standout tracks is “What’s Going On”, a melancholic inner road trip built around a 70s‑tinged pop chorus. “Low & Slow” celebrates creative freedom in a world that increasingly demands conformity. At the same time, “I Might Be Weird” turns difference into a badge of strength through its indie electro‑pop pulse. The EP closes with a reimagined cover of “Black Balloon” by The Kills, transformed into a gentle farewell to an internal struggle that has finally loosened its grip.
Now based in Nantes, Dorrr remains deeply rooted in the independent scene, supported by organisations such as Le Chabada, Wiseband, and the UK’s Anara Publishing. She is also an alumna of the Keychange programme (2019–2020), which advocates for gender balance in the music industry—an issue that continues to shape her artistic identity. “I’ve grown more mature in the way I work, and I’m learning to let go of the pressure I put on myself during The Blind Suns years. It’s incredibly freeing. This EP already opens up a lot of new paths for what comes next.”
Ganbaru will resonate with listeners drawn to the atmospheric tension of The XX, the emotional sweep of Arcade Fire, and the cinematic melancholy of Lana Del Rey. Link

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"This time we're trying not to complicate things too much. We want to have a simple message, but that doesn't mean there will be fewer arrangements or less songwriting..." - Pedro Paixão
"I can call our show an emotional exhibitionism. If you want to drink beer and cry, please come to our show, haha." - Nokt Aeon
"It would be an exciting thing to be a part of the fourth The Sisters Of Mercy album. I think my role has changed in the last few years." - Ben Christo
"When I make a song, I know I could do it better, but I'm happy with it. It doesn't have to be perfect, and I like it when it's not. That's why I can make it that way." - Rapha Hell
