Belgium’s legendary electro‑industrial provocateurs Lords Of Acid continue their 2026 resurgence with the release of their new single “Dream Boy”—a shadow‑soaked descent into addiction, longing, and the seductive pull of oblivion. The band describe the track as “a dark trip through the streets of Necropolis, where addiction feels like salvation and nightmares wear a beautiful disguise.”
Built as a dialogue between despair and temptation, “Dream Boy” pits a fractured inner voice against the ethereal presence of vocalist Carla Harvey, who delivers her lines like a dangerous angel drifting through smoke and neon. The band emphasise that the song avoids moralising; instead, it seeks to illuminate the emotional voids that drive people toward self‑destruction.
“‘Dream Boy’ isn’t about judging addiction,” they explain. “It’s about the pain, loneliness and emptiness that push people toward it. We wanted the verses to feel raw and claustrophobic—like a panic attack—while the reggae‑tinged chorus floats like a hallucination you never want to wake from. The line ‘Dream boy, keep on floating in the sun’ sounds warm at first, until you realise it’s about someone slowly disappearing in plain sight.”
Despite its darkness, the track carries a thread of human connection and the search for a “real high” that doesn’t destroy the seeker.
“Dream Boy” follows the band’s recent single “Karaoke Superstar” (check it out over HERE), a hyper‑sexual, neon‑splattered collaboration with US vocalist and DJ Princess Superstar. That track saw Lords Of Acid in full theatrical mode, blending industrial, metal, acid dance, fetish‑club aesthetics, and the absurdity of pop stardom into a chaotic, tongue‑in‑cheek anthem.
Both singles will appear on the group’s long‑awaited seventh studio album, due in late 2026 via Metropolis Records. The record promises an array of guest vocalists alongside the commanding presence of Carla Harvey, who joined the band in early 2025 after her tenure with metal outfit Butcher Babies. Her arrival has been widely celebrated, earning her the title of the band’s reigning Acid Queen.
Meanwhile, Lords Of Acid remain relentless on the road. Their “Cheeky Freaky Tour” is currently tearing across the United States and will continue through the end of May, bringing their signature blend of provocation, humour, and high‑voltage hedonism to stages nationwide. Link

Danish/UK synth-pop duo Oui Plastique return with their long-awaited sophomore album, Forever Will Be Over Before You Know It, set for release on 27 November via Town and Towers Records.
California’s experimental extreme‑metal duo Antania have unleashed their brand‑new single and official video “33”, offering the first glimpse into their upcoming album The Unholy 33...
Dark ambient/ritual folk artist Leila Abdul‑Rauf has issued an otherworldly new visual for "Eros Anima", taken from her sixth solo album, Andros Insidium, out in April via 20 Buck Spin.
Described as an industrial-techno-pop anthem, "Cannibal" pushes the evolving j:dead sound into an intense and emotionally charged space. Built on harsh, stabbing saw‑synths, distorted...
"You know, the music and songs just come, and we don't distance ourselves from the music that comes out." - Jyrki 69
"All of us want to bring back analogue methods—doing everything by hand. AI is completely outside our creative universe. It's a system designed to make things easier and faster." - Andy Julia
"I hope that through our music and our words, people can feel that connection between us and them, and feel a little bit better — or at least less alone." - Alessandro Belluccio
"This time we're trying not to complicate things too much. We want to have a simple message, but that doesn't mean there will be fewer arrangements or less songwriting..." - Pedro Paixão
