Lost Signal, the electronic music project of New York state-based Charles Rehill, who is a collector of hardware synthesisers inspired by the melodic vibrancy of composers ranging from Vangelis to Ólafur Arnalds, released a new single, "Entropy", via Metropolis Records. A cinematic, slow-burning elegy that explores the collapse of connection through the language of astrophysics, it draws on themes of cosmic decay and emotional disintegration, pairing stark, atmospheric soundscapes with lyrics that imagine a universe unravelling in sync with a fading relationship.
The song's haunting refrain: "Even though there's nothing after / Even though we die alone" underscores its meditation on memory, loss and the human instinct to hold on even as everything drifts into darkness. A poignant blend of science and sorrow, "Entropy" is a quiet reckoning with the end of a world, a love, as well as the light that once connected them.
"Entropy" features a special Dolby Atmos version (on digital platforms that support it) and is the first single to be issued from a forthcoming album, Light Of Other Days, which is set for release on 7 November via Metropolis Records. Framed by the instrumental overture "Departure" and its closing counterpart "Return", it journeys through themes of memory, mortality and fragile hope. Songs such as "Dream Within A Dream", "Not The End Of Me" and "Before Today" wrestle with despair, resilience and the illusions we cling to, with "Entropy" expanding the frame to cosmic finality. With its cinematic lyricism and shadowed textures, Light Of Other Days emerges as a haunting meditation on what we remember, what we invent and what inevitably fades.
Charles Rehill began with production and sound design work in the late '90s when he signed his first record deal as a teenager subsequently led to a fruitful career working for synth manufacturers. The compulsion to create and elevate life's colourful moments is why Lost Signal exists.
You might also want to check out Lost Signal's last year released "Clover" over HERE. Link
Poland’s cult dark electro/black/industrial metal entity H.EXE has surfaced once more from the abyss, releasing a new music video for “Sunless Tides [Initial]” — a track that captures...
Italian electrogaze/darkwave/post-punk duo Bunnyblack have offered the first video track, "Eat Me", from their forthcoming debut full-length, Midnight, earmarked for release on 11 September.
After recently unveiling their new album's title track, "Far From God", to an overwhelmingly positive global response — with both the single and its accompanying video rapidly amassing...
Finnish modern melodic metal outfit Unén, who made a striking first impression with last year’s debut album Forever Winter, now open an entirely new chapter with their powerful new...
"We only make an album when we feel genuinely inspired. You can't just say, "OK, I'm going to record a new album", because without inspiration, it would be boring." - Gregor Mackintosh
"When you feel something you need to share, creating songs is the best way to do it. You can reflect on yourself so that you can relax and be relieved of that emotion." - Çağla Güleray
"I find it really bizarre, because right after the concert, you're already on the internet. I mean, come on. It's very different from how it used to be, but it's fine." - Anja Huwe
"They wrote that we wanted to influence people's minds with our bagpipes so that they would be willing to attack the police." - Irdorath
