Sweden's prog legends Opeth have, after a postponement, released their 14th studio album, The Last Will And Testament, through Moderbolaget / Reigning Phoenix Music. To celebrate the release, the band has served a lyric video for the song "§4", featuring a guest flute appearance by Jethro Tull's Ian Anderson.
Opeth's frontman Mikael Åkerfeldt comments on the track: "'§4' is an oddball song, just written by instinct. I'm not a clever guy when it comes to writing music. People call us 'thinking man's metal', I think that's laughable. I listen to music from so many different genres, it's impossible to me to stick to one genre. I find the idea boring to try and belong somewhere, we're a bit all over the place, and I think this song shows our diversity. For '§4' I was inspired by something called 'twelve note music', which I think is a classical term, where you're supposed to play twelve notes and you cannot repeat a note twice. I heard some of that music by classical pianists playing, and it sounds wicked, it sounds evil, it sounds really strange - so that inspired the initial guitar theme. There's a mellotron theme in the beginning, it just sounds odd, like it doesn't fit in, almost like a free-form jazz solo or something like that. But it quickly kind of lands in an almost traditional metal theme with a common response type death metal vocal that has a stereo double-tracked normal vocal response. I can't remember what happened during the writing process, but I reached a point where I just stopped and felt, 'OK, time for something strange!' We ended up with a flute solo by Ian Anderson of Jethro Tull, which was kind of an accident in a way because I asked him to do a narration, not flute. As he was doing the spoken word bits, he asked me 'do you need a flute solo?' I was like, 'yes, please!', while I didn't really have a part for a flute solo! I had to shuffle through the songs quickly in my head before he would change his mind. I had him on the hook, of course, I was gonna find a piece! So, he played almost like a common response type flute solo in '§4'. This is a great song with the ending piece being one of the more evil pieces of music I've written in a long time: it sounds really menacing, sick almost!"
For more regarding The Last Will And Testament, and Opeth's European tour 2025 dates, follow HEREs. Link


Belarusian post‑black metal act Dymna Lotva have unveiled the opening track and first single, accompanied by a striking video, "Zory", taken from their forthcoming fourth full‑length,...
Brazil’s post‑punk/darkwave/synth‑pop trio The Lautreamonts return with “Embla”, a new single that seals the emotional arc explored across their recent works. It is a track built on...
Wormwood, one of Sweden's most distinctive and internationally acclaimed metal ensembles, return with their new EP Å — a work that further cements their status as one of the most...
British electronic innovators Portion Control, formed in London in 1979 and long regarded as one of the most influential forces in the evolution of electro‑industrial and EBM, are preparing...
"We go searching for sounds and ideas within ourselves and there in our dreams, in the moments when 'we are not here'." - Elena Alice Fossi
"With Hypocrisy, I'm very "home", but with Pain, it's an adventure, just like going into the jungle only with a knife and no glass of water and trying to survive." - Peter Tägtgren
"Sometimes an album just falls into place, and Rapture is one of those albums. From the beginning, I felt that things were lining up and everything was flowing." - Ashley Dayour
"I think we longed for a band where we could be there from scratch and form everything the way we want." - Fabienne Erni
