Sweden's prog legends Opeth have, after a postponement, released their 14th studio album, The Last Will And Testament, through Moderbolaget / Reigning Phoenix Music. To celebrate the release, the band has served a lyric video for the song "§4", featuring a guest flute appearance by Jethro Tull's Ian Anderson.
Opeth's frontman Mikael Åkerfeldt comments on the track: "'§4' is an oddball song, just written by instinct. I'm not a clever guy when it comes to writing music. People call us 'thinking man's metal', I think that's laughable. I listen to music from so many different genres, it's impossible to me to stick to one genre. I find the idea boring to try and belong somewhere, we're a bit all over the place, and I think this song shows our diversity. For '§4' I was inspired by something called 'twelve note music', which I think is a classical term, where you're supposed to play twelve notes and you cannot repeat a note twice. I heard some of that music by classical pianists playing, and it sounds wicked, it sounds evil, it sounds really strange - so that inspired the initial guitar theme. There's a mellotron theme in the beginning, it just sounds odd, like it doesn't fit in, almost like a free-form jazz solo or something like that. But it quickly kind of lands in an almost traditional metal theme with a common response type death metal vocal that has a stereo double-tracked normal vocal response. I can't remember what happened during the writing process, but I reached a point where I just stopped and felt, 'OK, time for something strange!' We ended up with a flute solo by Ian Anderson of Jethro Tull, which was kind of an accident in a way because I asked him to do a narration, not flute. As he was doing the spoken word bits, he asked me 'do you need a flute solo?' I was like, 'yes, please!', while I didn't really have a part for a flute solo! I had to shuffle through the songs quickly in my head before he would change his mind. I had him on the hook, of course, I was gonna find a piece! So, he played almost like a common response type flute solo in '§4'. This is a great song with the ending piece being one of the more evil pieces of music I've written in a long time: it sounds really menacing, sick almost!"
For more regarding The Last Will And Testament, and Opeth's European tour 2025 dates, follow HEREs. Link


Legendary Norwegian visionary Mortiis and USA‑based melodic black metallers Uada have joined forces for a very special co‑headliner North American tour, bringing together exclusive...
With their third and final advance single, "Mansi", Nytt Land refocus on the magic voice of Natalia Pakhalenko with ample full-throated support from Anatoly Pakhalenko. The captivating...
UK black metal band A Forest Of Stars have unleashed a remarkable single/lyric video, "Ascension Of The Clowns", based on the original paintings of lead vocalist Curse, as the first...
Just after solidifying their new partnership with Napalm Records, mystical folk duo Tabernis extend the invitation to their enigmatic ritual with a new single, "Tenebrae". The first...
"Within this darkness, where there's no light at all, the golden raven still shines. It's not like a perfectly cut statue of Michelangelo..." - Val Perun
"We paused our work as I was grieving heavily, but once we returned to it, things took on a whole new meaning." - LV Darkling
"There were already bands doing small illustrations of symphonic metal, and I was thinking, why doesn't someone do this all the time?" - Christofer Johnsson
"I don't tend to judge people, but I do judge them if they're too lazy to engage in independent thought or if they're simply careless and don't consider the consequences..." - Sven Friedrich
