The Chilean darkwave/coldwave/electro duo Vioflesh returns with a new single, "Sweet Poison", a slow‑burning descent into sensual melancholy and the quiet, intimate violence of love. The track unfurls like a whispered confession — soft synths, hypnotic textures, and Vio’s breathless vocals weaving a spell that is equal parts tenderness and danger.
"Sweet Poison" is built for those who understand that love is never just one thing. It can rise like dawn or scorch like flame. It can cradle, consume, soothe, and scar — often in the same breath. Vioflesh distill that duality into a sound that feels warm to the touch yet edged with venom, inviting listeners to drink deeply while warning that no one walks away unchanged.
The duo — Vio (lead vocals and lyrics) and Flesh (music production) — continue to refine their signature blend of dark atmospheres, emotional depth, and sensual tension. Their work thrives in the liminal space where vulnerability meets danger, where desire becomes both sanctuary and threat.
"Sweet Poison" follows the previously released single "Chains" (check it out HERE), which further showcases the project’s ability to merge shadowy electronics with raw emotional resonance.
With each release, Vioflesh sharpen their identity as one of the most evocative emerging acts in the South American darkwave sphere — a project unafraid to explore the beautiful, destructive contradictions at the heart of human connection. Link

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"When I make a song, I know I could do it better, but I'm happy with it. It doesn't have to be perfect, and I like it when it's not. That's why I can make it that way." - Rapha Hell
"They wrote that we wanted to influence people's minds with our bagpipes so that they would be willing to attack the police." - Irdorath
"There's much more detail in our music now than 20 years ago. It's also much easier nowadays because you can do many things at home." - Morten Lybecker
"There were already bands doing small illustrations of symphonic metal, and I was thinking, why doesn't someone do this all the time?" - Christofer Johnsson
