Portland's (USA) shadow‑soaked post‑punk/darkwave force Shadowlands continue their ascent toward the release of their fourth album, 004, sharpening their distinctive blend of impassioned post‑punk, introspective darkwave, and ‘80s‑tinged horror synth. Their sound — a vivid collision of sombre dreamscapes, icy arpeggios, and soaring, emotionally charged vocals — grows more immersive with each new chapter.
Following the earlier singles “Burdens” and “Let’s Fall Apart”, the band now return with their third offering, “Clicks”, a track that widens the emotional and conceptual terrain of 004.
Where the previous singles delved into grief, memory, and the pressure to conform to impossible ideals, “Clicks” shifts its gaze outward. Here, Shadowlands confront the dissonance of modern existence — a world increasingly filtered, curated, and mediated through screens.
The band elaborates on the song’s core tension: “The digital world keeps growing, making us less present with nature — with what makes us human, what connects us, what makes us real. ‘Clicks’ get you where you need to go… but isn’t it all so totally meaningless? We’ll ask for clicks on this song. They may come. And it’ll mean a lot — until it doesn’t. There’s a brief dopamine hit, we’ll say thanks… and then it’s gone. We do appreciate it, though.”
Sonically, “Clicks” mirrors that existential push‑and‑pull. It opens in an eerie, horror‑lit haze before fracturing into something tense, rhythmic, and strangely danceable. The track builds into a hypnotic pulse — what the band calls an “IRL neurochemical symphony” — grounding the listener in something immediate and physical amid the digital static.
With each new single, 004 reveals itself as a record unafraid to confront both internal and external realities with equal intensity. It is an album shaped by mood, texture, and emotional candour — and one that promises to expand the band’s already formidable sonic identity.
004 arrives 24 April via Seeing Red Records, positioning Shadowlands alongside artists such as Chelsea Wolfe, Esben And The Witch, Emma Ruth Rundle, and Darkher — while remaining unmistakably, defiantly their own. The previously released “Let’s Fall Apart” can be found over HERE. Link

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"I can say that when I play with Bosco Sacro, I'm in total trans. When I play on a stage, I go into another world." - Luca Scotti
"There were already bands doing small illustrations of symphonic metal, and I was thinking, why doesn't someone do this all the time?" - Christofer Johnsson
"I find it really bizarre, because right after the concert, you're already on the internet. I mean, come on. It's very different from how it used to be, but it's fine." - Anja Huwe
"I don't tend to judge people, but I do judge them if they're too lazy to engage in independent thought or if they're simply careless and don't consider the consequences..." - Sven Friedrich

