Portland's (USA) shadow‑soaked post‑punk/darkwave force Shadowlands continue their ascent toward the release of their fourth album, 004, sharpening their distinctive blend of impassioned post‑punk, introspective darkwave, and ‘80s‑tinged horror synth. Their sound — a vivid collision of sombre dreamscapes, icy arpeggios, and soaring, emotionally charged vocals — grows more immersive with each new chapter.
Following the earlier singles “Burdens” and “Let’s Fall Apart”, the band now return with their third offering, “Clicks”, a track that widens the emotional and conceptual terrain of 004.
Where the previous singles delved into grief, memory, and the pressure to conform to impossible ideals, “Clicks” shifts its gaze outward. Here, Shadowlands confront the dissonance of modern existence — a world increasingly filtered, curated, and mediated through screens.
The band elaborates on the song’s core tension: “The digital world keeps growing, making us less present with nature — with what makes us human, what connects us, what makes us real. ‘Clicks’ get you where you need to go… but isn’t it all so totally meaningless? We’ll ask for clicks on this song. They may come. And it’ll mean a lot — until it doesn’t. There’s a brief dopamine hit, we’ll say thanks… and then it’s gone. We do appreciate it, though.”
Sonically, “Clicks” mirrors that existential push‑and‑pull. It opens in an eerie, horror‑lit haze before fracturing into something tense, rhythmic, and strangely danceable. The track builds into a hypnotic pulse — what the band calls an “IRL neurochemical symphony” — grounding the listener in something immediate and physical amid the digital static.
With each new single, 004 reveals itself as a record unafraid to confront both internal and external realities with equal intensity. It is an album shaped by mood, texture, and emotional candour — and one that promises to expand the band’s already formidable sonic identity.
004 arrives 24 April via Seeing Red Records, positioning Shadowlands alongside artists such as Chelsea Wolfe, Esben And The Witch, Emma Ruth Rundle, and Darkher — while remaining unmistakably, defiantly their own. The previously released “Let’s Fall Apart” can be found over HERE. Link

Post‑punk/gothic rock musician pMad returns with his haunting new video single, "NineFortyFive" — a dark, atmospheric blend of post‑punk, gothic indie‑rock, and cinematic storytelling.
Italian doom metal ensemble Messa present a Cold Cave rework of "At Races", a track taken from their critically acclaimed full‑length The Spin, released last year through Metal Blade...
US horror‑punk/gothic/glam‑metal icon Wednesday 13 delivers the second electrifying preview from his forthcoming live album Un‑Alive From Pol’and’Rock 2025, due out 25 September via...
Austrian dark post‑rock/post‑metal collective Our Ceasing Voice present their new single and official video “The Man You Wanted Me To Be”, alongside full details of their long‑awaited...
"We paused our work as I was grieving heavily, but once we returned to it, things took on a whole new meaning." - LV Darkling
"It would be an exciting thing to be a part of the fourth The Sisters Of Mercy album. I think my role has changed in the last few years." - Ben Christo
"It's not only about me; everybody deals with identity in a way because the world is asking so much of you all the time. You need to relate to..." - Raven van Dorst
"We only make an album when we feel genuinely inspired. You can't just say, "OK, I'm going to record a new album", because without inspiration, it would be boring." - Gregor Mackintosh
