Just a few days ago, German folk‑metal institution Subway To Sally bid farewell to the old year in thunderous style with their Eisheilige Nacht tour. Continuing now in a more intimate and emotional vein, the Potsdam band will launch the third instalment of their NACKT concert series on 27 March in Berlin, under the banner NACKT III – Lügen & Legenden (Naked III – Lies & Legends). To set the tone, Subway To Sally today unveiled a stripped‑down reinterpretation of their cult track "Feuerkind" — more haunting and immediate than ever.
The accompanying music video captures the intimate, fragile, yet powerfully charged atmosphere that defines the NACKT concerts. Balancing closeness and tension, melancholy and eruptive emotion, the band once again demonstrate their remarkable versatility — musically, emotionally, and visually.
Subway To Sally add: "We delve deep into our history: from the quietest ballad to wild escalation, from bittersweet melancholy to unrestrained excess. What is true, what is invented, which lies have long since become legends? In an intimate atmosphere, close to you, an evening awaits us between the living room and the theatre stage, between poetry and pure joy of performance. Let us celebrate life – and perhaps be naked together one last time".
"Feuerkind" originally appeared on Nord Nord Ost, the band's eighth studio album, which entered the official German charts at number five in 2005. To this day, the song remains one of the most emotional and intense moments in their repertoire. It embodies what Subway To Sally have represented for more than three decades: the ability to retell stories, reveal emotion, and continually reinvent themselves without ever losing their core identity. The new single stands not only as a tribute to their own history, but also as a powerful sign of what lies ahead.
In 2006, Subway To Sally laid the foundation for an extraordinary live experience with their first NACKT tour — an event so well‑received that it returned for a second round four years later. Now, in 2026, the sextet will once again take to the stage with NACKT III – Lügen & Legenden (dates below). Link
Subway To Sally Live 2026:
* NACKT III – Lügen & Legenden 2026:
27.03.26 DE - Berlin / Passionskirche
28.03.26 DE - Bamberg / Hegelsaal
10.04.26 DE - Hamburg / Markthalle
11.04.26 DE - Erfurt / Alte Oper
12.04.26 DE - Neuruppin / Kulturkirche
14.04.26 DE - Aschaffenburg / Stadttheater
15.04.26 DE - Munich / Backstage
16.04.26 DE - Ludwigsburg / Scala
17.04.26 DE - Kaiserslautern / Kammgarn
18.04.26 DE - Hanover / Pavillon
30.04.26 DE - Magdeburg / Altes Theater
01.05.26 DE - Bochum / Christuskirche
02.05.26 DE - Gießen / Kongresshalle
03.05.26 DE - Bochum / Christuskirche
07.05.26 DE - Cologne / Tanzbrunnen
08.05.26 DE - Wilhelmshaven / Pumpwerk
09.05.26 DE - Dresden / Alter Schlachthof
* Festivals 2026:
12.06.26 DE - Niederburg / Sternenklang Festival (Krankhfeld)
01.07.26 DE - Ballenstedt / Rockharz
24.07.26 DE - Rödental / 6. Kultur Sommer
16.08.26 DE - Fulda / Räuber & Narren Open Air
05.09.26 DE - Halle (Saale) / Weckt Die Toten Festival
* Post Mortem 2026:
02.10.26 AT - Vienna / SIMM City
03.10.26 AT - Klagenfurt / Messehalle
04.10.26 DE - Memmingen / Kaminwerk
* Eisheilige Nacht 2026 - We Will Folk You:
Subway To Sally, Fiddler's Green, Manntra, Saint City Orchestra
11.12.26 CH - Pratteln / Z7
12.12.26 DE - Stuttgart / Im Wizemann
18.12.26 DE - Oberhausen / Turbinenhalle
19.12.26 DE - Wetzlar / Buderus Arena
20.12.26 DE - Dresden / Alter Schlachthof
26.12.26 DE - Braunschweig / MEC
27.12.26 DE - Würzburg / Posthalle
28.12.26 DE - Bielefeld / Lokschuppen
29.12.26 DE - Bremen / Pier2
30.12.26 DE - Potsdam / Waschhaus Arena
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"There's much more detail in our music now than 20 years ago. It's also much easier nowadays because you can do many things at home." - Morten Lybecker
"We try to support our army as much as possible since we also have friends on the frontline." - Helle Bohdanova
"I hope that through our music and our words, people can feel that connection between us and them, and feel a little bit better — or at least less alone." - Alessandro Belluccio
"We were kind of exploring dark subject matters and darker sounds. I really like that, and this is the direction we are going right now." - Larissa Vale
