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The Canadian singer, songwriter, and multi-instrumentalist Lindsay Schoolcraft doesn't really need an introduction, for she is already well-known in the metal and gothic milieu. Since mid-2000 she has lent her talents to an astounding variety of bands, starting with alternative rockers Mary And The Black Lamb, to the masters of extreme gothic darkness Cradle Of Filth, with whom she as a back vocalist and keyboardist recorded two albums, Hammer Of The Witches (2015) and Cryptoriana - The Seductiveness Of Decay (2017). Lindsay has also been leading her own project for several years, and has recently, together with Xenoyr (Ne Obliviscaris, Omega Infinity), founded a black metal supergroup Antiqva. In 2012 she released her debut solo album Rushing Through The Sky, followed by some singles and EP's. Then last year the amazing sophomore album Martyr came out, and just recently, on 9th of October, she released the acoustic/ambient album Worlds Away via her own label Cyber Proxy Records. Lindsay has made no secret of her love for playing the electric harp, which she has combined with string arrangements for a completely different approach to her discography, what all resulted in Worlds Away. For this album, she reunited with Rocky Gray (original drummer of Evanescence, who also co-wrote Martyr). Worlds Away is just so unique, that can't be compared with any of her previous works, and it also shows another side of Lidsay Schoolcraft, but still, it sounds vibrant, beautiful, dark and calming. In this interesting interview, Lindsay revealed many background things regarding Worlds Away and her other solo creations. We also talked about her inspirations, influences, about her time with Cradle Of Filth, and about her new band Antiqva.
Interview with: Lindsay Schoolcraft
Conducted by: Tomaz
Edited by: Jerneja
Tomaz: In October you released a new album, Worlds Away, which is quite different from anything you did in the past. I wonder what led you in this ambient waters?
Lindsay: I decided to do it because my tenth anniversary of being a solo artist was coming up, and I really wanted to do something to commemorate that decade. Also, I've always wanted to do an acoustic album, but there was never the right time. I was working with Cradle Of Filth for such a long time I really couldn't find the time to put something together. So, it was just the right timing and meant to be, and I was going to take this year off anyway, and then this pandemic hit, and it really made me focus on this album and finishing it. It's been a great experience. I know it's not heavy at all, but I asked my fans if this is something they would like, and it was like 80% yes. So, so far, so good. I'm very excited for people to hear it.
Tomaz: This album consists mostly of old songs from your first solo album Rushing Through The Sky (2012) and from Martyr (2019), but there are also two new songs. Were these two made especially for this album or they were already made, but just never used?
Lindsay: Interestingly you asked that. One of the songs is called "Dance On The Strings", and it's actually an old song. It was supposed to be on Rushing Through The Sky album, but it never came to be due to the timing. I'm glad I reconsidered that one and work on it again. On the other hand, the song "Worlds Away" was meant to sound exactly the way you hear it on this album, even though it was supposed to be on the Martyr album, but it wasn't finished in time, and we also had more than enough songs to put on that album. I decided to include these two songs on this album because they didn't get their chance on past albums, and it was also their time. They really suited the harp over the piano. It was definitely meant to be, and I was more than happy with how the two songs turned out. I think it was nice to include some new stuff among all these recreations of old stuff.
Tomaz: Working on this album, you collaborated with Rocky Gray, the same as you did with Martyr album. Has he become a kind of permanent member of the Lindsay Schoolcraft project?
Lindsay: Yes, he's onboard. He is certainly a part of my team, and he is already excited about my next rock album, which he is totally on board to do as well. He is just waiting for me to start writing the music. He is such a gem, so easy to work with, and he is so talented, and I love what he brings to my music. When we were finishing up recording Worlds Away, I just felt like something was missing, that some of the songs need a kind of electronic beats on them, and then I contacted him, and he solved the issue in a great manner. Yes, he is definitely going to be on board for anything in the future connected to my solo work.
Tomaz: I was also impressed by the cover artworks done by Anastasia Solti. There is a lot of details, which may not be noticeable at first sight but are rather powerful in presenting the album and probably yourself as well. How much of an impact did you have on these artworks?
Lindsay: I trust Anastasia, and she knows my style. I sent her the album in advance, expecting her artworks to be the reflection of what the music speaks to her and how it makes her feel. Interestingly, she created a very colourful album cover, and people tell me that I'm the most colourful goth they've ever met. I'm OK with that for I love colours. I think you can express so many emotions through colours. Especially when black metal bands use just black and white because it's moody and represents that style of music... I was so impressed by Anastasia's artworks also because I have synesthesia, every note to me has a colour, whenever I play certain songs, I feel certain colours, and it's like a rainbow. This album is very colourful based on what my brain has assigned each colour to for each note. So her artworks make sense because in my head this album is like a rainbow. I was just so happy, for she got the whole space concept down. She is just awesome to work with and very talented, and I'm grateful she was on board.
Tomaz: You recently established your own label Cyber Proxy Records. What made you do that?
Lindsay: I tried shopping my Martyr album to a bunch of labels, and now I even wonder whether the labels who said they were shopping it had that intention in the first place. They say they will contact you, but then this doesn't happen and you still wonder. So, I was like OK, no one wants this album. I just decided I'm going to do this independently; I have the team, I have the support, I have all the right things and place. Looking back, I'm glad I did this independently because I wouldn't have it any other way. I think if I signed to a label, I would be in a massive amount of debt right now, especially with the pandemic, and I wouldn't be able to release Worlds Away the way that I did. I'm happy to be an independent artist with a small label with two staff members, and now we also work with other artists, coaching them on how to improve their careers. I'm just having the best time with this label, it feels right, it feels good, and I'm glad that at the end of the day I don't have to answer to anyone on how I want to shape and form and direct my career. It's been rather lovely.
Tomaz: Is this label going to serve just for your releases or are you planning to release other artists albums too? Namely, I noticed you've signed with Gaia Guarda.
Lindsay: I support her, and she has also been a long time friend of mine, and I believe in her solo music, so I really want to help her push it. Although she has signed with my label, she is still independent, she calls me, and we work out planes together. But otherwise, the only two official artists on my label is myself and my black metal band Antiqva, which is founded together with Xenoyr of Ne Obliviscaris.
Tomaz: In October 2019 you released your previous album Martyr. As far as I know, the critics praised it, and your fans seem to like it a lot. But how do you look at it one year later?
Lindsay: I'm happy and very proud of where that album has gone and how many lives it's touched and how well it's done. I was just so happy that it was finally out there because from the time we started writing and recording to the day that it was out it was almost three years. It was such a long build-up and a long time to get it out there, and when it was finally out there it was such a sigh of relief, and it truly resonated with a lot of people, and it really got a good response. I'm very proud of it like I can't wait to do the next rock album and eventually bring it all to the stage. But yeah, I was just so happy with how it was received.
Tomaz: Maybe you should do a cover of one of Cradle Of Filth's song on a harp.
Lindsay: I've already covered the "Nymphetamine" song. Covering anything else, that's so progressive I don't think my harp would handle it.
Tomaz: You were a member of Cradle Of Filth for about seven years, then at the beginning of this year, you parted. How it was working with them?
Lindsay: It was amazing. I'm sad it's over, but I think it was the best decision for both of us. It was an incredible experience, and I will cherish the time I spent with them for the rest of my life, I have a tattoo to prove it. I wish them the best, and I hope that their new album is going great. I'm sure I'll run into them in the future, at festivals and stuff. I'm still a good friend with the guys, and we call each other on occasion. I'm definitely going to miss them. Cradle Of Filth is such a legendary band, has such a legacy behind it, and just being part of that final round recreating Cruelty And The Beast is a huge honour for me. I'm friends with Sarah Jezebel Deva, and she gave me her blessing, what really meant a lot to me because I did have to recreate a lot of her work in the time I was in the bend, and she was really gracious of that, well she is just such a cool person. It's crazy that when I first heard this band in a High school all those years ago, I never foresaw that that's going to be my job one day for seven long years, but I'm so grateful that it happened.
Tomaz: You were also active in some other bands, like Daedalean Complex and The Astroplex. What's going on with them?
Lindsay: I'm not sure. That's all in Quebec City; I have a lot of friends in that wonderful town, and they are a hidden gem in the music world. I'm not sure what Daedalean Complex is doing now. I haven't been able to contribute to their past few albums due to how things yet been. And Herr Nox from The Astroplex is doing his own solo work now; I've worked with him on some stuff, he is great. But my main focus right now is Antiqva, which is a black metal band with a lot of classical music influence. I'm doing it with Xenoyr, as well as a line of well-established musicians in the more so black metal world, and it's going good, so we should have a single out before Christmas. That's what we are hoping for this year.
Tomaz: Are you also both singing and playing keyboards in Antiqva?
Lindsay: Yes, I'm singing a little bit differently. There is actually a lower range to my voice, that I've never worked with, and the guys seem to like it. I've never got a chance to display that with Cradle Of Filth because with Cradle was always like speeches, classical music or Liv Kristine style of singing, which is fine and it was great. But now, with Antiqua, I had a chance to play and record on a grand piano for the first time in my life, which was very exciting and overwhelming. So I've been doing piano, and I've also been composing a lot of the strings. In the future, I'll be doing the church organ as well, and we have one accessible to us here in my city, but I need to get some lessons on the food pedalling first. Yeah, I think that that project is really interesting, it's got a lot of chants, like the orthodox Gregorian chant, as well as a lot of Dead Can Dance influence with some worldly aspects, what is really cool, but at the end of the line, it's traditional black metal, which I'm a huge fan of, so I'm very excited for this project. It's very influenced by Emperor, Mayhem, Dimmu Borgir and something like that, so I'm just really looking forward to it.
Tomaz: Is your solo project Lindsay Schoolcraft supposed to play live?
Lindsay: Yeah, I was hoping to do a bit of that this year, but due to the pandemic I obviously haven't been able to. In the future, I definitely foresee it happened, and my band has been very patient about the whole thing, you know waiting on me, but they are wonderful people, and they know what's going on in the world. I would like to tour, and I'm sure in time that will happen. I don't have albums to hold the tour now, but hopefully in the future, maybe with the next album, I could see that happening.
Lindsay Schoolcraft links: Official website, Facebook, Bandcamp, YouTube
Antiqva links: Official website, Facebook, Shop, YouTube
Cyber Proxy Records: Facebook